Üdvözöllek Kedves látogató !
Ezen az oldalon a könnyűzenei világ egy kis szeletkéjét próbálom összerakni olyan formában, hogy az ide látogató minél több érdekességet találhasson a zenei élet hihetetlenül nagy világából.
Külön kérés alapján az Audio Design Studioban régi felvételeit digitálisan ujjá varázsoljuk !
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Mail:. hangregesz@gmail.com
01 - Sugar Coated Love 02 - You'll Lose a Good Thing 03 - Sexy Ways 04 - Shake a Hand 05 - Good Lover 06 - Mean Mean Man 07 - Shake Your Hips 08 - Te Ni Nee Ni Nu 09 - Can't Believe You Want To Leave 10 - You Can Have My Husband 11 - It's Raining 12 - Rocket In My Pocket 13 - I Wonder Why 14 - Let's Have a Party 15 - High Time We Went
01 - IN THE MOOD (GarIand-Privek) solo: Veble-ts, Ugrln-tp
02 - AT LAST (Gordon IWarren-Privek) solo: Gralc-tp
03 - TAIL-EN D CHARLIE (Fi negan-Privek) solo: Podgornik-ts, Soss-cI
04 - SERENADE IN BLUE (Warren-Privek) solo: Veble-ts
05 - FLYIN’ HOME (Goodman I Hampton-Privek) solo: Stingl-p, Veble-ts, Ugrln-tp, Rebrek-b
06 - A STRING OF PEARLS (Gray) solo: Arnol-as, Veble-ts, Ugrin-tp
07 - PEN N SYLVAN IA SIX-FIVE THOUSAN D (Sigman-Gray) solo: Veble-ts, iJgrin-tp
08 - LITTLE BROWN JUG (Trad’I-Privek) solo: Veble-ts, Soss-cl Misjak-tp
09 - SOLITUDE (Ellington-Privek) solo: Veble-ts
10 - AMERICAN PATROL (Meacham-Gray) solo: Ugrin-tp
11 - SUN VALLEY JUMP (Gray-Privek) solo: Soss-cl, Ugrin-tp
12 - MOONLIGHT SERENADE (MiIler-Privek) solo: Komac-ci
Posneto v studiu 14 RTV Ljubljana (1970)
Producent: Joe Kamplo
Tonska mojstra: Vinko Rojc, Drago Hribovek (A5)
Asistenta: Rajko Sporar, Peter anek
Urednik izdaje: Ivo Umek
Glavni urednik: Jure Robenik
Ovitek: Kostja
cIani Plesnega orkestra RTV Ljubljana
Biography
Born: March 1, 1904 | Died: December 15, 1944
Shortly after the beginning of the 20th century, in a small rural Southwestern Iowa town, a boy was born to Elmer and Mattie Lou Miller. The date was March 1, 1904 and the town was Clarinda. The boy that was born that night was named Alton Glen Miller (later changed to Glenn) and when he uttered his first cry, Clarinda heard Glenn Miller’s first “moonlight serenade.” Glenn’s first serenade was not particularly unique as it had been sung by children for centuries and was barely heard across South 16th Street. However, his second Moonlight Serenade was a composition he wrote while studying music under Dr. Schillinger in New York City. Glenn’s second Moonlight Serenade was unique, becoming the theme song of his number one Big Band and heard literally all around the world.
Glenn’s grandparents were a part of the westward movement of people during the 1800's and moved to the Clarinda area around 1870. During their stay in Southwest Iowa, their son Elmer married Mattie Lou Cavender and before this young couple left Clarinda, their first son, Dean, was born; followed by a second son, Alton Glenn Miller, on March 1, 1904.
In hopes of a brighter future, the young couple decided to homestead and moved on west in 1907 to Tryon, Nebraska where they lived in a sod house. In the evenings, Glenn’s mother, Mattie Lou, would play a simple pump organ which helped ease the lonesome existence on the flatlands of Nebraska. If you think it is a long lonely drive across Nebraska today, you can imagine what it was like to be there in 1907. Mattie Lou started a school called Happy Hollow and her children would sing songs as they rode in a wagon on their way to school. The soothing music of his mother in their sod house and the uplifting songs on the way to school must have given Glenn a greater meaning and appreciation for music. Before leaving the sod house, Mattie Lou gave birth to a third son, Herb, in 1913.
In 1915, Glenn’s family moved to Grant City, Missouri where he went to grade school, worked for the town bandsman John Mosbarger, was given his first trombone and then played in the town band.
In 1918, Glenn’s family, including an infant daughter, Irene, moved again to Fort Morgan, Colorado where Glenn went to high school. During his senior year, Glenn decided to try the game of football, and by the end of the season, he was chosen by the Colorado High School Sports Association as “the best left end in Colorado.” Football wasn’t Glenn’s only interest, however, as he had become very interested in a new sound called dance band music. Glenn enjoyed this music so much that he and some classmates decided to start their own band. In fact, Glenn was so excited about this new music that when it came time for his graduation in 1921, he decided to skip his graduation ceremonies and instead traveled to Laramie, Wyoming to play in a band. Meanwhile, back home, Glenn’s mother had to accept his diploma and the principal commented, “Maybe you’re the one who should get it anyway; you probably worked harder on it than he did!”
Bandleader Glenn Miller (gmcivil.jpg 7476 bytes)By now, Glenn had made the decision that he was going to be a professional musician. His first professional contract was signed with a Dixieland group called Senter’s Sentapeeds. To most people it sounds like something you would step on rather than listen to. Then another opportunity opened up where Glenn could play in the Holly Moyer Orchestra in Boulder and earn enough money to attend the University of Colorado. This lasted for two years, but in 1924, Glenn’s musical ambition, and a new job with the Tommy Watkins Orchestra, caused him to discontinue his college education so that he could spend full time playing and arranging music. Glenn eventually headed for Los Angeles, where he had heard there were numerous band opportunities. He soon got the chance to join the Ben Pollack Orchestra, a band noted for finding talented musicians. While playing with Pollack’s band, Glenn roomed with another rising star, a clarinetist from Chicago named Benny Goodman.
In 1928, after working in Los Angeles and Chicago, Glenn moved on to New York City where he worked with bands of Ben Pollack, Red Nichols and Paul Ash as a trombonist and arranger. In 1932, Glenn organized the Smith Ballew Band, and worked two years as manager, arranger and trombonist. In 1934, he helped the Dorsey brothers to organize their first full-time Big Band and in 1935, he organized Ray Noble’s American band.
Finally, in 1937, Glenn decided to fulfill his dream and organize his own band. This first band soon ran into financial difficulties and had to disband, but Glenn was not one to give up and he tried again in 1938. This time was different, and in March of 1939, his band was chosen to play the summer season at the prestigious Glen Island Casino, in New Rochelle, New York. This big break led to another important engagement at Meadowbrook, New Jersey in the spring of the same year. Both places offered frequent radio broadcasts, and by mid-summer, the Miller Orchestra had developed a nationwide following. In the fall of 1939, it began a series of radio broadcasts for Chesterfield cigarettes which increased its already great popularity. Thereafter, the band was in constant demand for recording sessions and appeared in two films; Sun Valley Serenade in 1941 and Orchestra Wives in 1942.
Major Glenn Miller In 1942, at the peak of his civilian career, Glenn decided he could better serve those in uniform by putting one on himself. By doing this, the band gave up a $20,000 weekly income. Too old to be drafted at age 38, Glenn first volunteered for the Navy but was told that they didn’t need his services. Not giving up, Glenn wrote to the Army’s Brigadier General Charles Young on August 12, 1942. Miller persuaded the Army to accept him so he could in his own words, “put a little more spring into the feet of our marching men and a little more joy into their hearts and to be placed in charge of a modernized army band.” After being accepted in the Army, Glenn’s civilian band played their last concert in Passaic, New Jersey on September 27th, 1942. It was such a sad event that the band couldn’t finish playing the closing theme song, Moonlight Serenade.
Glenn soon became part of the Army Specialists Corps with the rank of captain. For the next year and a half, besides arranging music, Glenn created and directed his own 50-member band. Captain Miller’s mission was morale building, bringing a touch of home to the troops and modernizing military music. Glenn was also a talented fund raiser, and raised millions of dollars in war bond drives. He also attracted Air Corps recruits through his I Sustain the Wings weekly radio broadcasts.
Still wanting to do more, Glenn arranged for overseas duty for the band. Arriving in London, the band was quartered at 25 Sloane Street, an area in constant barrage by German V-1 buzz bombs. Glenn was immediately concerned for the band and made arrangements for the unit to move to new quarters in Bedford, England. The band moved on July 2, 1944, and the very next day a buzz bomb landed in front of their old quarters, destroying the building and killing 100 people. The Glenn Miller Army Air Force Band was extremely busy and Glenn wrote home that in one month they played at 35 different bases, while performing 40 radio broadcasts in their spare time.
Finally, on December 15, 1944, Glenn boarded a single engine C-64 Norseman aircraft to travel to Paris, France where he was to make arrangements for a Christmas broadcast. Tragically, the plane never reached France and was never found. The band, without Miller, performed the scheduled Christmas concert under the direction of Jerry Gray and continued to perform, playing their last concert on November 13, 1945 at the National Press Club dinner for President Truman in Washington, D.C. At that time, General Dwight Eisenhower and General Hap Arnold thanked the band for a job well done.
Glenn Miller will be remembered for many things; his musical style, showmanship, hard work, perseverance, and much more. But his patriotism in giving up his number one civilian band to enlist in the United States Army Air Corps, his pioneering efforts to modernize military bands and his supreme sacrifice for his country have caused him to be remembered as Clarinda’s and America’s favorite musical patriot.
Glenn Miller’s life cannot easily be summed up in a few words. He put more in his short life of 40 years than most people do in a longer lifetime.
01. DANCE IN THE OLD FASHIONED WAY (Aznavour, Garvarentz) 02. FOR ALL WE KNOW (Wson, James, Kariin) 03.THE ENTERTAINER (Joplin) 04. SOLITAIRE (Sedaka, Cody) 05. YOURE SIXTEEN (Sherman) 06. AS TIME GOES BY (Hupfield) 07. THE RICOCHET THEME (Narholz)
Side B
08. THE PALLISERS THEME (Chappell) 09. HOLLY HOLY (Diamond) 10. WHEN YOU SMILE (Slater, Mc Donald) 11. THE MOST BEAUTIFUL GIRL IN THE WORD (WiIson, SherriIl, Bourke) 12. ANY DREAM WILL DO (Rice, Lloyd, Webber) 13. MAH-NA MAH-NA (Umiliani)
01 Black Jack 02 January 03 Silhouette 04 Parking Blues 05 May Evening 06 Randezvous At The Aral Petrol Station 07 Walk On The Boulevard 08 Dance Of Tortoises 09 July 10 Blues For A.M. 11 Black Horse 12 Song For Adnarim 13 Evening Serenade
01 - Tükör 1'02"
02 - Sombrero 5'41"
03 - És akkor... 5'29"
04 - Doctor Q 6'55"
05 - Édenkert 6'00"
06 - Úgy mint máskor 6'23"
07 - Tévedés 4'25"
08 - Jégeső 3'28"
Kaszakő - Édenkert
A Kaszakő együttes a 80-as években a hazai jazz-rock szekció egyik kimagaslo zenekara volt. Népszerűségüket az akkori idők neves szólistákkal történő zenei repertoár kibővítése is. Pl Bontovics Kati, aki hihetetlen énekhanjával és előadás módjával növelte a zenekar értékét. Sajnos ma már csak néhány lemez őrzi munkásságukat. Most egy ilyen 1998-ban kiadott LP-ről készitettem egy másolatot, és azt digitális restaurálás, ujrakeverés, után közreadnám annak aki szereti a Jazz-Rock e-fajta irányzatát.
Personals:
László Attila Guitar
Horváth Kornél Percusion
Lattman Béla Bass
Csányi Zoltán Piano / Syntetizator
Lakatos "Pecek" Géza Drums
Közreműködtek még:
Sipos Endre,
Malek Miklós,
Fekete István (trombita),
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Selényi Dezső,
Bazsinka István,
Friedrich Károly (harsona)
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A felvétel a "P" Stúdióban készült 1978-ban.
Grafika Nagyvár László
A Magyar Rádió fetvétele Hungarian Radto Recordtng, Made in Hungary 1979
DERECEN JAZZ GROUP
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A Debreceni Jazz Együttes 1966-ban alakult, a magyar dzsesszW4 élet fellendüléének kezdetén. A kvartett már akkor Is az egyre szaporodó dzsessz-rendezvények állandó, sikeres résztvevője volt, amikor a zenekarok főként Budapesten működtek. Az együttes felé mindjárt az első évben jelentős figyelem fordult:a Salgótarjáni Amatörzenei Fesztiválon a dzsessz kategóriában, a teljes ismeretlenségből előbukkanva, első helyezést értek cl. Ezt a sikert 1967-ben és 1969-ben megismételték, és még abban az évben bejutottak a Magyar Rádió országos dzsesszversenyének a döntőjébe is, ami a hivatásos együttesek között feltűnő eredménynek számitott. A kvartett 1967-ben Zürichben, 1968-ban Bécsben szerepelt nemzetközi dzsesszfesztiválon. 1969-ben a székesfehérvári Alba Regia fesztivál pódiumán játszottak. 1971-ben a csehszlovákiai Prerov városában a nemzetközi amatőr dzsessz fesztiválon nyrtek díjat, majd még abban az évben meghívást kaptak Spanyolországba, ahol később is, 1972-ben ás 1974-ben, a nemzetközi mezőny ünnepelt zenekarai közé sorolta őket a szaksajtó. 1977-ben ök nyitották meg a Debreceni Dzsessznapok hangversenysorozatát, majd ugyanabban az évben Budapest legnagyobb pódiumán, a Erkel Színházban adtak hangversenyt. Abban az évben a Magyar Rádió őket kérte fel a részvételre az Európai Rádió Unió dzsesszfesztiváljára. amely a hollandiai Larenben került lebonyolításra. A Deseö Csaba közremüködésével készült lareni felvételeket 19 európai, amerikai és japán rádióállomás tűzte műsorára. Ebben az időszakban lengyel és szovjet turnét is lebonyolítottak. Emellett az együttes tagjai aktív szerepet vállaltak a magyar dzsesszélet fellendítésében, kezdeményező szerepet töltöttek be a Debreceni Dzsessznapok évente ismétlődő nemzetközi hangversenysorozatának megszervezésében. Rendszeres szereplői a Magyar Rádió műsorainak. Müsorukon éppúgy szeepelnek a hagyományos dzsessz-örökzöldek, mint saját kompozícióik, amelyeknek hangszereléseit maguk készítik. A jelen nagylemezen a Rádió stúdióiban készült felvételekböl kerül kiadásra egy válogatás. a magyar dzsesszélet eddig páratlanul hosszú ideje fennálló kvartettjétöl. Az együttessel az elmúlt évtized alatt több külföldi szólista is játszött együtt, igy a felvételeken szereplő bolgár fuvolás, Simeon Sterev. Sterev fuvolaszólói nem változtatják meg a kvartett szokásos játékmódját - a szólista remekül illeszkedik az együttesbe. Deseő Csaba, a lemez másik szólistája. a hollandiai fesztivál előtt társult a kvatetthez, Az ebből az alkalomból született kompozieiókban hírnevéhez méltó, virtuóz muzsikusként mutatkozik be.
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The Debrecen .Jazz ensemblc was formed in 1966, at the beginning of upswing in Hungarian jazz scene. The quartet was a regular, successful participant at the growing number ofjazz programmes when these events were still mainly held in Budapest. In the very iirst year of its existence the Ensemhleattracted nation. al attention, and emerging from eomplete anonymity, it won the flrst prize in the jazz eategory at the Salgótarján Amateur Music Fest ival. This suecess was repeated bot Ii in 1967 and 1969, and that same year the Ensemble reached the finals of the l-lungarian Radio’s national jazz eompetition. something that was considered to be a remarkable achievement among professional ensemhles. In 1967 the quartet played at an international jazz festival in Zurich, and in 1968 in Vienna. tn 1969 it participated at the Alba Regia Festival at Székesfehérvár. In 1971 it was awarded a prize at ihe international amaieur jan festival in Prerov, Czeehoslovakia, and that same year was invited to Spain. The quartet played in Spain again in 1972 and 1974, and was ranked by the professional press among the celebrated ensembles of the iaternational field. Jn 1977, it opened the series of eoncerts at the Debrecen Jazz l)ays, and later that year gave a coneert in the Erkel Theatre, the biggest theatre in Budapest. In 1977 the Hungarian Radio asked the quartet to participate in the jazz festival of the European Radio tinion, held in Laren, Holland. The reeordings made in Laren with tlie participation of Csaba Deseö were broadcast hy 19 radio statinns in Europe, America and Japan. Sinee that time the ensemble also made tours of Poland and the Soviet Union. The members of the ensemble have also played an active role in giving a new impetus tojazz life in }Iungary, taking the ínitiative in the organization of the annual international concert series of the Debrecen Jan Days. They have rcgularly performed in the Hungarian Radio. Their repertoire includes traditionally evergreen jazz numbers and pieces composed and orchestrated by thom. This LP includes a seleetion of recordings made in the Hungarian Radio’s studios by titjs uniquely long-standing quartet in the Hungarian jan scene. Duríng the past decade, several soloists from abroad have played wtether with the ensemhle, inciuding the Bulgarian flutist, Simeon Sterev in this recording. Sterev’s liute solos do not alter the quartet’s usual performing style, as the soloist has perfectly adapted himselfto the enemhle. Csaba Deseő, the other soloist of the record joined the quartet before the festival in Holland. In the compositions created on that occasion he demonstrated that he was a virtuoso musician of his fame.
01 - Rések a falon, 02 - Az idegen, 03 - Mintha mégis, 04 - Száguldj velem, 05 - Különvonaton, 06 - Földközelben, 07 - Agymosás, 08 - Az utolsó éjszaka, 09 - Az óra jár, 10 - Tánc a parázson
EAST - RÉSEK A FALON (1983) (HUNGARIAN PROG ROCK)
Personal: ------------- József Tisza (vocals), János Varga (guitars), Péter Móczán (bass), Géza Pálvölgyi (keyboards) István Király (drums). ----------------------------------
01 - When The Saints Go Marching In 02 - Percolator 03 - Bouna Sera Signorita 04 - Jambalaya 05 - You Never Can Tell 06 - Blueberry Hill 07 - Lucille 08 - Yakety Sax 09 - Hello Mary Lou 10 - Oh Carol 11 - Do You Love Me 12 - Only You 13 - Wanderer 14 - Rag Doll 15 - Orange Blossom Special 16 - San Antonio Rose
01 - Fred Wesley And The Jbs - Damn Right I Am Somebody
02 - Fred Wesley And The Jbs - Blow Your Head
03 - Fred Wesley Im Paying Taxes What Am I Buyin
04 - Fred Wesley And The Jbs - Same Beat Part 1
05 - Fred Wesley And The Jbs - If You Dont Get It The First Time
06 - Fred Wesley - Make Me What You Want Me To Be
07 - Fred Wesley And The Jbs - Going To Get A Thrill
08 - Fred Wesley And The Jbs - You Sure Love To Ball
01 - La Paloma 02 - Quemere Mucho 03 - Cielito Lindo 04 - Te Quise Olvidar 05 - Muchos Besos 06 - Chapala 07 - Solamente Una Vez 08 - El Rancho Grande 09 - La Cigarra 10 - Vaya Con Dios
01. Pachuco Boogie by: Cuarteto Don Ramon Sr. (actually Don Tosti's Pachuco Boogie Boys) 02. Guisa Gacha (Mambo) by: Cuarteto Don Ramon Sr. (actually Don Tosti's Pachuco Boogie Boys) 03. Wine-O-Boogie by: Don Ramon Sr. y su orquesta (actually Don Tosti's Pachuco Boogie Boys) 04. El Tirili by: Don Ramon Sr. y su orquesta (actually Don Tosti's Pachuco Boogie Boys) 05. Pachuco Mambo (Mambo) by: Los Chucos 06. Los Pachucos (Canción) by: Las Hermanas Mendoza 07. El Bracero Y La Pachuca (Corrido) by: Dueto Taxco con Mariachi Caporales Del Norte 08. Solido Joaquin (Guaracha) by: Dacita & Her Orquesta 09. Frijole Boogie by: Jorge Córdoba 10. Muy Sabroso Blues by: Lalo Guerrero Y Sus Cinco Lobos 11. Los Chucos Suaves by: Lalo Guerrero Y Sus Cinco Lobos 12. Chicas Patas Boogie by: Lalo Guerrero Y Su Orquesta 13. Buena Vista Swing by: Conjunto Alamo 14. El Pachuco Alegre (Boogie) by: Los Hermanos Yanez y Pedro Ayala 15. Las Pachuquitas (instrumental) by: Conjunto San Antonio Alegre 16. Mi Dolorcito (Boogie) by: Conjunto San Antonio Alegre 17. Guisa Guaina by: Don Tosti Y Su Trío 18. Pachuco Boogie - (2nd recording) (2nd recording) by: Orquesta Don Ramon (actually Don Tosti's Pachuco Boogie Boys) 19. Los Blues by: Don Tosti y su Trío 20. Mambo Del Pachuco by: Don Tosti y su conjunto 21. Chicano Boogie by: Cuarteto De Ramon Martínez (actually Don Tosti's Quartet
01 - you've lost that lovin' feelin' 02 - elusive dreams 03 - greenwich village folk song salesman 04 - summer wine 05 - storybook children 06 - did you ever 07 - sundown, sundown 08 - jackson 09 - some velvet morning 10 - sand 11 - lady bird 12 - i've been down so long (it looks like up to me)
01 Spanish Eyes 01 Sweet Lorraine 02 Michelle 02 The Nearness of You 03 Hello Dolly 03 Raindrops Keep Falling on My Head 04 First of May 04 Portrait of My Love 05 My Love and Devotion 05 These Days of Wine and Roses 06 Laura 06 Leaving on a Jet Plane 07 Walk Away 07 You and Me Against the World 08 Born Free 08 From Russia with Love 09 As Long as She Needs Me 09 Singin' in the Rain 10 It's a Breeze 10 Yesterday When I Was Young 11 Ethel Baby 11 Unchained Melody 12 Cheek to Cheek 12 Love Is a Many Splendored Thing 13 For Once in My Life 13 Wednesday's Child 14 As Long as I'm Singing 14 I'm Glad I'm Not Young Anymore 15 I've Grown Accustomed to Her Face 15 My Kind of Girl 16 Diana 16 How Do You Do 17 Mama Packed a Picnic Tea 17 Stardust 18 For All We Know 18 Yesterday
a01 - Balalajka sir az ejben a02 - Almaimban valahol mar jottel felem a03 - Szaz vagy muzsikal most az ejben a04 - Almaimban valahol mar jottel felem a05 - Ez az utolso pohar,aztan agyo a06 - Egy kis itoka ha bennem van a07 - Egy kis edes felhomalyban a08 - Hallod-e Rozika Te a09 - A szivemben titokban a10 - Jaj de szep kek szeme van maganak a11 - Oszi szel ringatja csonakom a12 - Az egyik ember gazdag
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b01 - Az egyik ember gazdag b02 - Szall a hinta b03 - Tiz ora mult,a szivem kigyult b04 - Semmi vesz... b05 - A ruha a fo es benne a no b06 - Egy tucat tA1nder nekem dalol b07 - Nem nosulok soha b08 - Nincs kegyelem b09 - Mamorba tancba szedulunk
01 Black Bottom Stomp 02 Smoke House Blues 03 The Chant 04 Sidewalk Blues [Take 3] 05 Dead Man Blues [Take 1] 06 Steamboat Stomp 07 Someday Sweetheart 08 Grandpa's Spells [Take 3] 09 Original Jelly-Roll Blues 10 Doctor Jazz 11 Cannon Ball Blues [Take 2] 12 Hyena Stomp 13 Billy Goat Stomp 14 Wild Man Blues 15 Jungle Blues 16 Beale Street Blues 17 The Pearls 18 Wolverine Blues 19 Mr. 20 Sidewalk Blues [Take 2] 21 Dead Man Blues [Take 2] 22 Grandpa's Spells [Take 2] 23 Cannon Ball Blues [Take 1]
01 You Make Me Feel So Young 02 It Happened In Monterey 03 You're Getting To Be A Habit With 04 You Brought A New Kind Of Love To 05 Too Marvelous For Words 06 Old Devil Moon 07 Pennies From Heaven 08 Love Is Here To Stay 09 I've Got You Under My Skin 10 I Thought About You 11 We'll Be Together Again 12 Makin' Whoopee 13 Swingin' Down The Lane 14 Anything Goes 15 How About You
01k - Love Is All 02k - To All The Girls I ve Loved Before 03k - On The Wings Of A Silverbird 04k - Are You Lonesome Tonight 05k - Under The Man In The Moon 06k - Nothing s Gonna Change My Love For You 07k - Senorita Bonita 08k - I Can t Stop Loving You 09k - Our Time 10k - Love Is The Reason 11k - Just For The Love Of You 12k - How Do I Stop Loving You 13k - After You 14k - You Made A Believer Out Of Me 15k - I Bid You Goodbye 16k - We ll Meet Again
1 Wake Up Bossa 4:32
2 Funky African Heroes 3:41
3 An Old Funk 4:37
4 Funky Bob Timbales 4:11
5 Discjoint 4:56
6 Saliamagouras 5:32
7 Afrofunk 5:23
8 Funkorz 5:10
9 Back To The 60's 4:12
10 Break Up To The Sunshine 5:50
11 The Groovy Booty 5:45
12 Breakbit 4:50
13 D'azour Cotaz 4:46
14 Got That Vibe 6:08
15 Cinemafilm 4:13
16 Dub Mi Balls 5:25
01 - Sweet Lorraine 03:10 02 - Mam´selle 03:21 03 - Five Minutes More 02:36 04 - Oh What it Seemed to Be 03:05 05 - I Got A Woman Crazy for Me, She´s Funny that Way 03:22 06 - They Say It´s Wonderful 03:07 07 - Nancy, with the Laughing Face 03:27 08 - Saturday Night, is the Loneliest Night of the Week 02:44 09 - All or Nothing at All 02:59 10 - In the Blue of Evening 02:56 11 - There Are Such Things 02:43 12 - You´ll Never Know 03:02 13 - It´s Allways You 03:15 14 - People Will Say We´re in Love 03:21 15 - Dolores 02:58 16 - Oh Look at Me Know 03:15 17 - This Love of Mine 03:43 18 - I´ll Never Smile Again 03:12 19 - Polka Dots and Moonbeams 03:20 20 - We Three, My Echo My Shadow and Me 03:04
01 - A Good Man is Hard to Find (Feat Shelly Winters).Mp3 02:58 02 - A Little Learning is A Dangerous Thing, Part 1 (Feat Pearl 03:26 03 - A Little Learning is A Dangerous Thing, Part 2 (Feat Pearl 03:11 04 - Come Out, Come Out, Wherever You Are (Feat Gloria Dehaven) 02:03 05 - Come Up to My Place (Feat Betty Garrett).Mp3 02:53 06 - I Begged Her (Feat Gene Kelly).Mp3 03:02 07 - I Saw You First (Feat Mary Mcguire).Mp3 01:44 08 - If You Knew Susie Like I Know Susie (Feat Gene Kelly).Mp3 02:00 09 - It´s Fate Baby, It´s Fate (Feat Betty Garrett).Mp3 03:14 10 - It´s Only Money (Feat Groucho Marx).Mp3 01:31 11 - Kisses and Tears (Feat Jane Russel with the Modernaires).M 02:47 12 - Let´s Take an Old Fashioned Walk (Feat Doris Day).Mp3 03:01 13 - My Romance (Feat Dinah Shore).Mp3 03:17 14 - New York, New York (Feat Gene Kelly, Ralph Brewster and Ju 03:11 15 - Some Other Time.Mp3 01:34 16 - Stars in Your Eyes (Feat Xavier Cugat).Mp3 02:44 17 - Take Me Out to the Ball Game (Feat Gene Kelly).Mp3 02:03 18 - Tea for Two (Feat Dinah Shore).Mp3 03:19 19 - The Song´s Gotta Come form the Heart (Feat Jimmy Durante). 04:18 20 - What´s Wrong with Me (Feat Kathryn Grayson).Mp3 01:29 21 21 - Where Does Love Begin (Feat Anne Jeffrey).Mp3 02:15
01 Fly Me to the Moon 02 I Wish You Love 03 I Believe in You 04 More { (heme from Mondo Cane) 05 I Can't Stop Loving You 06 Hello, Dolly! 07 I Wanna Be Around 08 The Best Is Yet to Come 09 The Good Life 10 Wives and Lovers f
01 - from here to eternity 02 - american beauty rose 03 - april in paris 04 - azure te paris blues 05 - castle rock 06 - chattanoogie shoe shine boy 07 - hello young lovers 08 - i get a kick out of you 09 - i hear a rhapsody 10 - im walking behind you 11 - ive got the world on a string 12 - my funny valentine 13 - the girl next door 14 - ive got a crush on you 15 - nevertheless im in love with you 16 - south of the border 17 - the birth of the blues 18 - they cant take that away from me 19 - we kiss in a shadow 20 - when youre smiling the whole world smiles with you
Sinatra in the 50's
By Jeff Little
The decade of the 50's didn't start out smoothly for Frank Sinatra. Career-wise, things were bleak for the legendary performer as he suffered vocal chord hemorrhages, an all too public break-up with his wife and a tumultuous affair with actress Ava Gardner (who he eventually married).
In addition to the physical ailment that temporarily crippled his greatest asset, Sinatra's volatile nature had soured many of his fans and show business contacts. By 1952, he had parted ways with Universal Studios, CBS-TV, Columbia Records and his agent.
Known for well-publicized bouts of temper (that included brawls with reporters) and other public lapses in polite behavior, Sinatra had exhausted the patience of many. By the time the 1940's came to an end, most believed his career had done likewise. But Sinatra had other ideas.
Born Francis Albert Sinatra on December 12, 1915 in Hoboken, New Jersey, Sinatra had become a show business icon by the early 1940's with a string of hit records, films and live performances. And the tenacious Sinatra had no intention of calling it quits in the 1950's.
In a shrewd career move, Sinatra agreed to work for a fraction of his usual fee for his work on 1953's From Here to Eternity. A Best Supporting Actor Oscar later, his career was back on track.
Sinatra's Oscar-winning performance as Maggio sparked new interest in the "The Kid from Hoboken". In addition to his career rebound, he had also made a physical comeback. The unstoppable Sinatra had recovered his legendary singing voice and offers poured in from all sides.
Signing with Capitol Records in 1953, Sinatra proceeded to record a seemingly endless string of hits considered by many to be his best work.
With songs like I've Got The World On A String, I Get A Kick Out Of You and In The Wee Small Hours Of The Morning, Sinatra solidified his reputation as a world class entertainer.
Movie-goers in the "rock 'n' roll decade" were also treated to plenty of Frank. In addition to From Here to Eternity (1953), he also appeared in films such as Guys and Dolls (1955), The Man with the Golden Arm (1955) and Some Came Running (1958). By the end of the decade, Sinatra had appeared in 20 films over the 10-year span.
Seeming to some like a workaholic, Sinatra even turned his fun into work during the 50's. Assembling a group of his friends (Dean Martin, Peter Lawford, Sammy Davis, Jr. and sometimes Joey Bishop), Sinatra knocked the entertainment world on its ear with his gang of entertainers that came to be known as "The Rat Pack".
Appearing together live, on recordings and in films, "The Rat Pack" caroused and performed together for years, and even managed to strike a blow for civil rights in the process.
By demanding desegregation at all their performance venues and popular off-stage haunts, "The Rat Pack" showed the world they weren't such "rats" after all.
Having proven his resiliency in the 50's, Sinatra continued on to become known as one of the greatest performers of all time. And even after his death in 1998, his career lives on.
01 Eddie's Twister 02 April Kisses 03 Prelude in C Sharp Minor, Op. 3, 04 a Little Love, a Little Kiss 05 Melody Man's Dream 06 Perfect 07 Rainbow Dreams 08 Add a Little Wiggle 09 Jeannine (I Dream of Lilac Time) 10 I'll Never Be the Same 11 Church Street Sobbin' Blues 12 There'll Be Some Changes Made 13 Pickin' my Way [Guitar Mania, Pt. 14 Feeling my Way [Guitar Mania, Pt. 15 Danzon 16 Stage Fright 17 Chicken a La Swing 18 Heat Wave 19 Afterthoughts [in Three Movements 20 Afterthoughts [in Three Movements 21 Peg Leg Shuffle 22 Helena 23 Love Song 4 Sutton Mutton
01 - Mr. Heine's Blues
02 - The End Of A Love Affair
03 - Stella By Starlight
04 - After Glow
05 - My Old Flame
06 - Away From The Crowd
07 - All The Things You Are
08 - Stompin' At The Savoy
09 - H. - J. Meets M. A
Hans koller (ts)
Martial Solal (p)
Attila Zoller (g)
01 - Zores Mores
02 - Feeling-In And Feeling-In In Villingen
03 - Ach Tavia - Skertzo - Allicia's Lullaby
04 - At Twighillte
05 - Struwwelpeter
06 - Alat's Mood
07 - Freeline Fraulein
08 - Danke For The Memory
09 - Rumpelstilzchen
Attila Zoller, (guitar)
Lee Konitz, (alto sax)
Albert Mangelsdorff (trobon)
Barre Phillips (bass)
Stu Martin (drums)
Zo-Ko-Ma (1968),
Guitarist Attila Zoller, alto saxophonist Lee Konitz and trombonist Albert Mangelsdorff had played with one another on earlier occasions for over a decade, but this 1968 recording was their first together though Zo-Ko-Ma is officially billed by producer Joachim Ernst-Berendt as the "Attila Zoller-Lee Konitz Quartet with guest Albert Mangelsdorff." Joined by bassist Barre Phillips and drummer Stu Martin on some tracks, a good deal of the music has an experimental feeling to it, especially Konitz's "Feeling-In and Filling-In Villingen," which feature overlapping improvisations by the three players. Zoller's easygoing waltz "At Twighlite" and Mangelsdorff's "Alat's Mood" (the latter a trombone/guitar duet) are straight-ahead arrangements, while Konitz's haunting "Danke for the Memory" is a spacy trio piece with bass and guitar. Issued on LP by MPS in Europe, this extraordinary session is long overdue to be re-released on CD. ~ Ken Dryden, All Music Guide
01 - Attila Zoller - When It's Time - Joy For Joy
02 - Attila Zoller - When It's Time - Lu And Shu
03 - Attila Zoller - When It's Time - After The Morning
04 - Attila Zoller - When It's Time - The Song Is You
05 - Attila Zoller - When It's Time - When It's Time
06 - Attila Zoller - When It's Time - Homage To O.P.
07 - Attila Zoller - When It's Time - Meant To Be
08 - Attila Zoller - When It's Time - Voyage
01 - Zoller Attila - Failing In Love Whit Love
02 - Zoller Attila - The Lock Of Love
03 - Zoller Attila - You Stepped Out Of A Dream
04 - Zoller Attila - Duologue
01 - Attila Zoller - Katz and Maus - Mahlke
02 - Attila Zoller - Katz and Maus - Conradinum Ballade
03 - Attila Zoller - Katz and Maus - Pilenz
04 - Attila Zoller - Katz and Maus - Catnip
05 - Attila Zoller - Katz and Maus - A. B. J.
06 - Attila Zoller - Katz and Maus - Seascape
