2014. február 19., szerda

Koncz Mihály Archiv magyarnóta felvételei - Digital restored, noise cleaning, at Audio Design Studio made 2014th.

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A Kisleany Kertjeben (Koncz Mihaly)
Akaclombos Falutokat (Koncz Mihaly)
Altatgatom A Szivemet Feledni Szeretnek (Koncz Mihaly)
Azt Mondjak Hogy Korhely Lettem (Koncz Mihaly)
Csak Tebenned Biztam (Koncz Mihaly)
Dalolgatok Mintha Mindig (Koncz Mihaly)
El Fog Mulni Minden (Koncz Mihaly)
Ez A Kislany Csinos Is (Koncz Mihaly)
Hull Az Eso Nagy A Sar (Koncz Mihaly)
Ketszer Ketto (Koncz Mihaly)
Ki Tudja Hogy Mert Nem Szeretsz (Koncz Mihaly)
Ki Tudja Hogy Szeptemberben (Koncz Mihaly)
Ligetben Egy Pacsirta Szol (Koncz Mihaly)
Mert Nem Lehet Elfeledni (Koncz Mihaly)
Ne Bantsatok Ne Bantsatok (Koncz Mihaly)
Ne Hidd El Ha Azt Mondjak (Koncz Mihaly)
Nem Tudom Hogy Mi A Bajom (Koncz Mihaly)
Sarga Rigo Sarga Csiko (Koncz Mihaly)
Szoke Lany A Rozsam (Koncz Mihaly)
Ugy Megyunk El Egymas Mellett (Koncz Mihaly)
Vegig Mentem Az Utcan (Koncz Mihaly)

Jegyzet:

Sajnos, Koncz Mihály munkásságáról semmi információt nem találtam az intereten. Ha valakinek lenne róla érdemleges információja, akkor közzé tudnám tenni az oldalon.
Az előadás módja nagyon hasonlít Madaras Gáboréhoz, és ami a legérzékletesebb, hogy a dalokban rendkívül jól érthető a szöveg! Sajnos a nótaénekesek közül sokakról ez nem igazán mondható el.
A dalok előadásmódja azért is érdekes, mert mind a zenekar, mind az énekes, nem igazán az a kimunkált előadói produktum, így nincs ami meghamisítja azt az igazi népzenei valósághű élőadás módot amitől igazi nóta lesz a magyar nóta.. Ettől lesznek oly különlegesek, és igazán élvezhetők ezek a dallamok. Ezzel a hangzással érezhetően közelebb kerül a muzsika, és a hallgatóság, és valóban úgy érezheti bárki is, hogy neki ott, és most muzsikálnak . nem pedig egy díszes teremben sokad magával kell egy művészien kidolgozott koncerten végig ülve hallgatni a nótákat.
A nóták archív monó felvételek. Sajnos az eredeti anyagokat, igen rossz állapotban kaptam meg, de remélem tetszik majd a régi nótakedvelőknek ebben a formában is, minden szépségével és hibáival együtt.

A D Studio

2014. február 15., szombat

Saturday Night FeverTwo LP 1977 (Original Movie Soundtrack) Digital transfer, noise cleaning and mixed, at Audio Design Studio 2014.



Notes info-1

Notes info-2


Tracklist
A1 - Bee Gees – Stayin' Alive  4:43

Bass Guitar – Maurice Gibb
Drums – Dennis Bryon
Guitar – Alan Kendall, Barry Gibb
Keyboards – Blue Weaver
Percussion – Joe Lala
Producer – Albhy Galuten, Bee Gees,
Karl Richardson Vocals – Barry Gibb,
Maurice Gibb, Robin Gibb Written-By – B., R. & M. Gibb*

   
A2 - Bee Gees – How Deep Is Your Love  4:03

Bass Guitar – Maurice Gibb
Drums – Dennis Bryon
Guitar – Alan Kendall, Barry Gibb
Keyboards – Blue Weaver
Producer – Albhy Galuten, Bee Gees,
Karl Richardson Vocals – Barry Gibb,
Maurice Gibb, Robin Gibb Written-By – B., R. & M. Gibb*

   
A3 - Bee Gees – Night Fever  3:33

Bass Guitar – Maurice Gibb
Drums – Dennis Bryon
Guitar – Alan Kendall, Barry Gibb
Keyboards – Blue Weaver
Producer – Albhy Galuten, Bee Gees,
Karl Richardson Vocals – Barry Gibb,
Maurice Gibb, Robin Gibb Written-By – B., R. & M. Gibb*

   
A4 - Bee Gees – More Than A Woman  3:15

Bass Guitar – Maurice Gibb
Drums – Dennis Bryon
Guitar – Alan Kendall, Barry Gibb
Keyboards – Blue Weaver
Percussion – Joe Lala
Producer – Albhy Galuten, Bee Gees,
Karl Richardson Vocals – Barry Gibb,
Maurice Gibb, Robin Gibb Written-By – B., R. & M. Gibb*

   
A5 - Yvonne Elliman – If I Can't Have You  2:57

Arranged By [Horn & String] – Wade Marcus Arranged By [Rhythm] – Freddie Perren Backing
Vocals – Julia Tillman Waters, Marti McCall, Maxine Willard Waters
Bass Guitar – Scott Edwards (2)
Drums – James Gadson Guitar – Bob Bowles*
Percussion – Bob Zimmitti, Freddie Perren, Paulinho Da'Costa*
Piano – Sonny Burke (2)
Synthesizer – Freddie Perren Written-By – B., R. & M. Gibb*
Producer – Freddie Perren
   
B1 - Walter Murphy – A Fifth Of Beethoven  3:01

Arranged By, Conductor – Walter Murphy
Producer – Thomas J. Valentino
Written-By – Walter Murphy

   
B2  - Tavares – More Than A Woman 3:16

Arranged By [Horn & String] – Wade Marcus
Arranged By [Rhythm] – Freddie Perren
Bass Guitar – Scott Edwards (2)
Drums – James Gadson
Guitar – Bob Bowles*
Percussion – Bob Zimmitti, Paulinho Da'Costa*
Piano – Sonny Burke (2)
Producer – Freddie Perren Written-By – B., R. & M. Gibb*

   
B3 - David Shire – Manhattan Skyline  4:43

Arranged By – David Shire
Bass – Abraham LaBoriel
Concertmaster – Jimmy Getzoff*
Contractor [Orchestra] – Nathan Kaproff
Drums – James Gadson
Guitar – Lee Ritenour, Mitch Holder
Keyboards – Sonny Burke (2)
Percussion – Steve Forman
Producer – Bill Oakes, David Shire
Synthesizer – Michael Boddicker
Written-By – David Shire


   
B4 - Ralph MacDonald – Calypso Breakdown  7:50

Producer – Ralph MacDonald, W. Salter*
Written-By – William Eaton

   
C1 - David Shire – Night On Disco Mountain  5:12

Adapted By – David Shire
Arranged By – David Shire
Bass – Scott Edwards (2)
Concertmaster – Jimmy Getzoff*
Contractor [Orchestra] – Nathan Kaproff
Drums – Mike Baird
Guitar – Dennis Budimir, Lee Ritenour
Keyboards – Ralph Grierson
Percussion – Emil Richards, Steve Forman
Producer – Bill Oakes, David Shire
Synthesizer – Michael Boddicker
Written-By – Modest Mussorgsky


C2 - Kool & The Gang – Open Sesame  3:59

Written-By – Kool & The Gang, Ronald Bell


C3  -Bee Gees – Jive Talkin'  3:44

Bass Guitar – Maurice Gibb
Drums – Dennis Bryon
Guitar – Barry Gibb, Joey Murcia
Guitar [Lead & Steel] – Alan Kendall
Keyboards – Blue Weaver, Geoff Westley
Percussion – Joe Lala
Producer – Albhy Galuten, Bee Gees, Karl Richardson
Saxophone [Alto; Boneroo Horns] – Whit Sidener
Saxophone [Baritone; Boneroo Horns] – Stan Webb
Saxophone [Tenor; Boneroo Horns] – Peter Ballin
Trombone [Boneroo Horns] – Pete Graves*
Trumpet [Boneroo Horns] – Jeff Kievit, Kenny Faulk*
Vocals – Barry Gibb, Maurice Gibb, Robin Gibb Written-By – B., R. & M. Gibb*


C4 - Bee Gees – You Should Be Dancing  4:15

Bass Guitar – Maurice Gibb
Drums – Dennis Bryon
Guitar – Alan Kendall, Barry Gibb
Keyboards – Blue Weaver
Percussion – George Perry*, Joe Lala
Percussion [Additional] – Stephen Stills
Producer – Albhy Galuten, Bee Gees, Karl Richardson
Vocals – Barry Gibb, Maurice Gibb, Robin Gibb Written-By – B., R. & M. Gibb*

   
C5 - KC & The Sunshine Band – Boogie Shoes  2:16

Arranged By – H. W. Casey & Richard Finch*
Producer – H. W. Casey & Richard Finch*
Written-By – H. W. Casey & Richard Finch*


D1 - David Shire – Salsation  3:50

Arranged By – David Shire
Bass – Scott Edwards (2)
Congas – Chino Valdez
Contractor [Orchestra] – Nathan Kaproff
Drums – Mark Stevens (2)
Guitar – Lee Ritenour
Keyboards [Electric] – Sonny Burke (2)
Percussion [Latin] – Emil Richards, Steve Forman
Piano [Acoustic] – Eddie Cano
Producer – Bill Oakes, David Shire
Soloist [Flute] – Jerome Richardson
Soloist [Trumpet] – Tony Terran
Timbales – Bob Zimmitti
Written-By – David Shire


D2 - M.F.S.B. – K-Jee  4:15

Arranged By – Bobby Martin
Producer – Bobby Martin, Broadway Eddie
Written-By – Charles Hearndon

   
D3 - Trammps, The Disco Inferno  10:52

Arranged By – Ron Kersey
Producer – Ron Kersey
Written-By – Leroy Green, Ron "Have Mercy" Kersey*


Credits

Artwork [Prepared By] – Susan Herr, Tom Nikosey
Compiled By, Supervised By [Album] – Bill Oakes
Engineer – Danny Wallin* (tracks: B3, C1, D1),
Karl Richardson (tracks: A1 to A4, C3, C4),
Larry Miles (tracks: A5, B2), Ray Thompson (tracks: C3),
Steve Pouliot (tracks: A5, B2)
Engineer [Assistant; Miami] – Ed Marshal* (tracks: C4)
Engineer [Assistant; Quebec] – Nick Blacona* (tracks: C4)
Engineer [Assistant] – Jerry Crawford (tracks: B3, C1, D1),
Jim Nau (tracks: A5), John Blanch* (tracks: C4),
Michel Marie (tracks: A1 to A4), Tyrone Williams (tracks: A5)
Mastered By – Wally Traugott
Photography By [Bee Gees] – Francesco Scavullo
Photography By [Tavares] – Charles W. Bush*
Photography By [Yvonne Elliman] – Norman Seeff

Notes
© 1977 RSO Records, Inc.
Manufactured/marketed by RSO Records, Inc. Distributed by Phonodisc.

A1 to A4, Recorded at Chateau D'Herouville, France
Overdubs and remixing at Criteria Studios Miami, Florida.

A5, B2 Recorded at The Mom & Pops Company Store, Studio City.

B3, C1, D1 Recorded at The Burbank Studios, Burbank, California.

C3 Recorded by Wally Heider Mobile Unit No. 1

C4 Recorded at Criteria Studios Miami, Florida and Le Studio, Quebec.

Mastered at Capitol records, Hollywood.
Printed in U.S.A. 1977

(database source: discogs.com )







2014. február 14., péntek

Si Zentner - Suddenly It's Swing LP 1960 Digital restored, noise cleaning and mixed, at Audio Design Studio 2014 th.

Download DATA

01 - I've Found A New Baby    
02 - Dream Of You    
03 - If I Love Again    
04 - Swingin' On Somethin'    
05 - Camptown Races    
06 - Just A-Wearyn' For You    
07 - When A Gypsy Makes His Violin Cry    
08 - High Spirits    
09 - Estrellita    
10 - Shufflin' Blues    
11 - I'm Glad There Is You    
12 - Like Home



Sylvia Telles - The Face I Love LP 1966 Digital restored, noise cleaning and mixed, at Audio Design Studio 2014 th.

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01 - It Might As Well Be Spring
02 - If You Went Away
03 - The Face I Love
04 - Rain
05 - Image
06 - But Not For Me
07 - Baubles, Bangles And Beads
08 - Voce
09 - Tete
10 - Pardon My English
11 - Balanco Zona Sul
12 - Surfin' In Rio


2014. február 13., csütörtök

All Stars '68 - Tenor Sax Mood Series LP 1969 Digital restored, noise clean and mixed, at Audio Design Studio 2014. th

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01 - All Stars '68 - Onna (03:05)
02 - All Stars '68 - Aishite Aishite (02:39)
03 - All Stars '68 - Yoru No Yanagase (02:58)
04 - All Stars '68 - Hoshizora No Hito Yo (02:31)
05 - All Stars '68 - Minatomachi Chanson (02:52)
06 - All Stars '68 - Ushiro Sugata (02:48)
07 - All Stars '68 - Koi No Dorei (02:11)
08 - All Stars '68 - Sasuraibito No Komoriuta (02:38)
09 - All Stars '68 - Kumo Ni Noritai (02:37)
10 - All Stars '68 - Kinjirareta Koi (03:02)
11 - All Stars '68 - Shiroi Sangosho (02:43)
12 - All Stars '68 - Francine No Bai (02:43)
13 - All Stars '68 - Aru Hi Totsuzen (02:28)
14 - All Stars '68 - Koi No Hana Uranai (02:21)

( original source: instrumentalmusiccafe.blogspot.com )

+ original records in rar.

2014. január 28., kedd

Fritz Schulz-Reichel - In einer Bar am Broadway LP Digital restored, noise cleaning and mixed, at Audio Design Studio made 2014.

DATA


Original records

A1. Oklahoma - People Will Say We're In Love /Oh, What A Beautiful Morning
A2. Show-Boat - Can't Help Lovin' Dat Man /Ol' Man River
A3. Can-Can - I Love Paris / C'est Magnifique
A4. South Pacific - Some Enchanted Evening /Bali Ha'i
A5. Babes In Arms - Where Or When /The Lady Is A Tramp
A6. Porgy And Bess - Summertime /I Want To Stay Here
A7. My Fair Lady - Get Me To The Church On Time /With A Little Bit Of Luck
B1. No, No Nanette - Tea For Two /I Want To Be Happy
B2. Lady Be Good - Fascinating Rhythm /Lady Be Good
B3. West Side Story - Maria /Tonight
B4. Annie Get Your Gun - I Got The Sun In The Morning /The Girl That I Marry
B5. Roberta - Yesterdays /Smoke Gets In Your Eyes
B6. Carousel - If I Loved You /You'll Never Walk Alone
B7. Mr. Wonderful - Too Close For Comfort /Mr. Wonderful


Notes

"In Einer Bar Am Broadway" - Fritz Schulz-Reichel und das Bristol-Bar-Sextett spielen 28 bekannte Musical-Melodien
 

A1 (Rodgers-Hammerstein II)
A2 (Kern-Hammerstein II)
A3 (Porter)
A4 (Rodgers-Hammerstein II)
A5 (Rodgers-Hart)
A6 (G. Gershwin-Heyward-I. Gershwin)
A7 (Loewe-Lerner)
B1 (Youmans-Caesar)
B2 (G. Gershwin-I. Gershwin)
B3 (Bernstein-Sondheim)
B4 (Berlin)
B5 (Kern-Harbach)
B6 (Rodgers-Hammerstein II)
B7 (Bock-Holofcener-Weiss)

2014. január 27., hétfő

Fritz Schulz-Reichel - In einer Bar in Paris LP 1966 Digital restored, noise cleaning and mixed, at Audio Design Studio made 2014.

DATA

01-
Poor people of Paris
The last time i saw Paris
Das hab' ich in Paris gelernt
02 -
Les feuilles mortes
April in Paris
Symphonye
03 - 
Wenn mademoiselle dich küst
La seine
Zauber von Paris
04 -
Avant de mourir
Bolero
05 -
C'est si bon
Zwei verliebte in Paris
Clopin-Clopant
06 -
J'altendral
Im cafe de la palx in Paris
Le premier rendezvous
07 -
La vie en rose
Mon coeur est un violon
Zahl' jeden stern
08 -
Perlez moi d'amour
Moulin rouge
09 -
La mer
I love Paris
Bum...
10 -
Pigalle
Paris canaille
Ca...C'est Paris!



2014. január 25., szombat

Ames Brothers The With Hugo Winterhalter And His Orchestra ‎– Sing Famous Hits Of Famous Quartets LP 1959 - Digital restored and noise cleaning, and mixed, at Audio Design Studio made 2014.



DATA

01 - Goodnight Irene    
02 - Paper Doll    
03 - The Gaucho Serenade    
04 - I'll Never Smile Again    
05 - Cool Water    
06 - Sweetheart Of Sigma Chi    
07 - Love Is A Many-Splendored Thing    
08 - Hit The Road To Dreamland    
09 - To Each His Own    
10 - Lida Rose    
11 - Moonlight Cocktail    
12 - Moments To Remember





Credits

    Arranged By [Vocals] – Al Semola
    Arranged By, Conductor, Producer – Hugo Winterhalter
    Engineer – Bob Simpson
    Liner Notes – Frank S. Brenner
    Supervised By – Joe Reisman

Notes

In this album, America's most popular vocal quartet pays a stunning musical tribute to the famous foursomes of the past. The twelve carefully selected songs, ten of which were million-record hits, receive a million-dollar treatment with sparkling new vocal settings by Al Semola and the imaginative background scoring of Hugo Winterhalter.
While the identifying link in this recording is the association of each tune with quartet singing, the repertoire covers many varied aspects of the American musical scene. There's a sentimental reminder of college days in Sweetheart of Sigma Chi which dates back to pre-World War I days. The name band era casts its reflection in Moonlight Cocktail and I'll Never Smile Again and Hollywood is represented with two songs from films, Love Is a Many-Splendored Thing and To Each His Own. There's a Western ballad (Cool Water) and even a lovely example of American folk music (Goodnight Irene).

Yet, although the tunes cover a span of almost fifty years, the combination of up-to-date Ames Brothers' stylings and ultramodern recording techniques will make you feel that you're listening to these favorites for the first time. This should come as no surprise to the growing army of Ames Brothers fans, as the brothers are virtually synonymous, in the entertainment world, with freshness and versatility. The boys have been singing together since they were kids in Malden, Massachusetts. Their first big hit on the RCA Victor label was You, You, You in 1953, which earned them another "Golden Record," - the industry's medal for records that top the million mark - and they've been flying high ever since. Their repertoire cuts a wide swath from operatic arias to sparkling comedy to ballads. But whatever the material, the performance always bears the Ames Brothers stamp of precision and vitality. Dubbed by both The Billboard and The Cash Box as the "Best Vocal Combo," the boys now present a graceful vocal salute to the great quartets of both past and present which have paved the way for their own notable success.

Recorded in Webster Hall, New York, October 17, 20 and 23 and November 6, 1958.
( source )  Discogs.com































































2014. január 14., kedd

Buddy Bregman and His Orchestra - Swinging Kicks (not original coover)


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01 - My buddy
02 - All of you
03 - In a mellow tone
04 - I love paris
05 - It's all right with me
06 - Too close for confor
07 - Baubles bangles and beads
08 - Imagination
09 - My heart stood stil
10 - Just in time

2014. január 11., szombat

Amusic Skazz Band - Jazzing You


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01 - Jazzing You
02 - Mr. Versatile
03 - Grandma
04 - Why Do Lovers
05 - Festuc Dance
06 - Tango Para Marcelo
07 - My Lover
08 - You've Been Talking About Me Babe
09 - Spring Walk
10 - Amusic Jam

2013. december 6., péntek

Ted Weems and His Orchestra ( personal sorting ) Digital restored, noise cleaning and mixed, at Audio Design Studio 2013 .





Ted Weems

Ted Weems - A Close Friend
Ted Weems - Am I A Passing Fancy - Vocal refrain by Parker Gibbs 1929 06 25
Ted Weems - Baby Doll
Ted Weems - Brazil
Ted Weems - Chick, Chick, Chick, Chick, Chicken (Lay A Little Egg For Me) 1926 09 13
Ted Weems - Cobble-Stones - 1927 11 25
Ted Weems - Collegiate Love 1929
Ted Weems - Come On, Baby! - 1928 09 21
Ted Weems - Did You Ever Hear Pichollo Pete
Ted Weems - From Saturday Night Till Monday Morning - 1927 09 20
Ted Weems - I Don't Want Your Kisses (If I Can't Have Your Love) - 1929 06 21
Ted Weems - Marvelous Vocal refrain by Dusty Roades and Parker Gibbs  1927 08 24
Ted Weems - My Cutey's Due At Two-To-Two Today 1926 09 20
Ted Weems - My Troubles Are Over 1928 12 07
Ted Weems - Oh ! If I Only Had You - 1926 0719
Ted Weems - Oh Monah 194112 09
Ted Weems - She'll Never Find a Fellow Like Me 1927 08 24
Ted Weems - That's My Weakness Now
Ted Weems - Washing Dishes With My Sweetie (1930)
Ted Weems - You're The Cream In My Coffee - 1928 10 19
Ted Weems Orch - Happy Days Are Here Again 1930
W Bonus Track - Mocsanyi - Lakos duo and His  Harlem Melody Band - Oh Monah 1928



Notes

Ted Weems was a popular mid-western bandleader who started his band in 1923 while attending the University of Pennsylvania. Around 1925 he moved his band to Chicago where he played in hotels and ballrooms around the city while also touring the mid-west. In 1932 The Weems Orchestra started appearing regularly on a sponsored nationwide radio program with Jack Benny. It was through radio that Weems made a name for himself and he continued to be associated with popular radio programs throughout the 1930s and 1940s such as The Fibber McGee and Molly Show and Beat The Band. In 1936 vocalist Perry Como joined the band. In 1942 the Weems Orchestra disbanded when Ted joined the Merchant Marines. After World War II, Weems put together another band which continued until the early 1950s. 

source Red Hot Jazz.com

2013. december 4., szerda

RE UPLOAD....Buddy Tate - Joe Johns - Milt Buckner - Midnight Slow LP 1974 Digital Restored Noise cleaning, at Audio Design Studio




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** Buddy Tate - Joe Johns - Milt Buckner - 01 - These Foolish Things
** Buddy Tate - Joe Johns - Milt Buckner - 02 - That's All
Buddy Tate - Joe Johns - Milt Buckner - 03 - Midnight Sun
** Buddy Tate - Joe Johns - Milt Buckner - 04 - Polka Dots And Moonbeans
** Buddy Tate - Joe Johns - Milt Buckner - 05 - Wellow Weep For Mee
** Buddy Tate - Joe Johns - Milt Buckner - 06 - I Should Care
Buddy Tate - Joe Johns - Milt Buckner - 07 - My Ideal
** Buddy Tate - Joe Johns - Milt Buckner - 08 - Autumn In N.Y.
** Buddy Tate - Joe Johns - Milt Buckner - 09 - But Beautiful
** Buddy Tate - Joe Johns - Milt Buckner - 10 - Tell Me About Him
Buddy Tate - Joe Johns - Milt Buckner - 11 - You ve Changed
** Buddy Tate - Joe Johns - Milt Buckner - 12 - Memories Of You
Buddy Tate - Joe Johns - Milt Buckner - 13 - She's Funny That Way
Buddy Tate - Joe Johns - Milt Buckner - 14 - Day By Day
Buddy Tate - Joe Johns - Milt Buckner - 15 - East Of The Sun
Buddy Tate - Joe Johns - Milt Buckner - 16 - Flamingo

** - a csillaggal jelzett felvételek találhatók az eredeti LP kiadáson!
A 60-as évek végén és a 70-es évek elején számos hasonló trio látott napvilágot, mint a most látható lemezen szereplő három igen ismert muzsikusból álló formáció. Ebben az időben ez minha divattá vált volna, de végül csendben a feledés homályába merültek ezek a zenekarok. A Midnight Slow című albumot, a Blue Note kiadó segítette a napvilágra 1970-ben.

2013. december 2., hétfő

RE UPLOAD_Radics Béla - a Kapitány - ( Archív ) 1972 - 77 . Digital transfer, restored, noise cleaning and mixed, at Audio Design Studio 2003




Download Bonus track Zöld Csillag

Track_1


Track_2

Kedves Hallgató!


A lemezen hallható felvételek sajnos nem súrolják a " Hi-Fi minőség " felső határát - azonban figyelembe véve azt, hogy akkoriban csupán amatőr, kalóz felvételek léteztek, igy hát ma is csak ezekből dolgozhattunk. Ell kell fogadnunk azt a tényt, hogy a régi érzések és emlékek felidézése mellett kell ezeket a felvételeket meghallgatni és értéküket elismerni.
Ahhoz , hogy ilyen minőségben sikerült mindenki számára hozzáférhetővé tenni ezt a lemezt, nagyon sok gyűjtő és közel egy éves hangrestaurálási munka , egy nagy adag megszállottság, és rengeteg próbálkozás kellett. A nem létező minőségből, így sikerült az emberi fül számára hallgatható minőséget varázsolni.
Sokan mondták, hogy szép dolog amire vállalkoztam, de rosszallóan ingatták a fejüket - ebből úgy sem lehet semmit sem csinálni. Volt aki 'zenekritikusnak mondta magát és kijelentette, hogy egy össze eszkábált, össze hegesztett termék az egész'. Nem baj, mindenkinek nem tetszhet minden, ami viszont elégedettséget ad mégis, egy kis kárörömmel, hogy neki sem sikerült jobbat be szerezni a nem létezőből! Nem bántam meg a sok munkát, és fáradságot, amit erre a kiadványra áldoztam, mert valójában a végén nem a minőség lett a legfontosabb, hanem az emlékek megőrzése és az, hogy egy nagyszerű gitáros emléke nem merül a feledés homályába!
Ez a lemez igazából egy kortörténeti érték, mivel e korszak blues-rockzenei bombája volt Radics Béla a maga különcségével, és sajátos világával együtt.
Remélem, senkinek nem okozunk majd csalódást, és talán olyan örömmel fogja mindenki hallgatni, mint amilyen lekesedéssel készítettem el ezt a hanganyagot!

Berkes László - hangrestaurátor és zenei rendező
Grafikai munkák - ADR Team

2013. november 18., hétfő

Fausto Papetti - I Remember No 1 LP 1967 Didital restored, Noise cleaning and mixed, at Audio Design Studio 2013.


DATA

01 - Fausto Papetti - Temptation
02 - Fausto Papetti - Tabu
03 - Fausto Papetti - Amado Mio
04 - Fausto Papetti - Indian love call
05 - Fausto Papetti - September in the rain
06 - Fausto Papetti - Stardust
07 - Fausto Papetti - Together
08 - Fausto Papetti - Intermezzo
09 - Fausto Papetti - Memory Lane
10 - Fausto Papetti - Perfidia
11 - Fausto Papetti - Caravan
12 - Fausto Papetti - Flamingo
13 - Fausto Papetti - Jungle drums
14 - Fausto Papetti - Pagan love song


2013. október 19., szombat

Patti Page - In The Land Of Hi-Fi LP Digital noise cleaning and mixed, at Audio Design Studio 2013th.

Download DATA

01 - Nevertheless
02 - Out Of Nowhere
03 - The Lady Is A Tramp
04 - The Thrill Is Gone
05 - A Foggy Day
06 - Mountain Greenery
07 - I've Got My Eyes On You
08 - My Kind Of Love
09 - I Didn't Know About You
10 - My Sin
11 - Taking A Chance On Love
12 - Love For Sale


2013. október 12., szombat

Magyar Táncdal - Egyveleg 25 cm LP ( 1953 Supraphon records ) - Digital transfer, restored, and mixed at Audio Design Studio 2013th.

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01 - Ne hagyd el soha
02 - Marina
03 - Altatodal
04 - Akacfalevel
05 - Insert
06 - A vegen mindent maskepp
07 - Talalkozunk holnap
08 - Minden asszony eleteben
09 - Kislány mi van a puttonyban
10 - Insert
11 - Aprilisi trefa volt
12 - Setahajo
13 - Insert
14 - Pitypalatty

Berczeller J. és tánczenekara (1, 2)
A bratislavai rádió tánczenekara
Vezényel. Polansky P. (3,4)




Énekel Csík János
MÓZI J. és tánczenekara


( P ) 1953 Supraphon













2013. október 5., szombat

Jaye P. Morgan Lp 1955 Digital noise cleaning and mixed, at Audio Design Studio 2013th.





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01 - You're Driving Me Crazy
02 - Let There Be Love
03 - My Heart Belongs To Daddy
04 - Will You Still Be Mine
05 - It All Depends On You
06 - You're My Thrill
07 - Pagan Love Song
08 - Till We Meet Again
09 - You Turned The Tables On Me 
10 - I Fall In Love With You Every Day
11 - I Guess I'll Have To Change My Plan
12 - Can't We Be Friends

2013. október 3., csütörtök

RE UPLOAD Lionel Hampton and His Big Band - Hamp's Boogie Woogie



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01 - Hamp's Boogie Woogie No. 1 - Lionel Hampton & His Big Band
02 - Beulah's Sister's Boogie - Lionel Hampton & His Big Band
03 - Midnight Sun - Lionel Hampton & His Big Band
04 - Hamp's Walking Boogie - Lionel Hampton & His Big Band
05 - Cobb's Idea - Lionel Hampton & His Big Band
06 - Red Top - Lionel Hampton & His Big Band
07 - Hey! Ba-Ba-Re-Bop - Lionel Hampton & His Big Band
08 - Flying Home No. 1 - Lionel Hampton & His Big Band
09 - Hamp's Boogie Woogie No. 2 - Lionel Hampton & His Big Band
10 - Air Mail Special (Parts I & II) - Lionel Hampton & His Big Band
11 - Slide Hamp Slide - Lionel Hampton & His Big Band
12 - Rockin' In Rhythm (Parts I & II) - Lionel Hampton & His Big Band
13 - Flying Home No. 2 - Lionel Hampton & His Big Band
14 - Lose Wig - Lionel Hampton & His Big Band
15 - In The Bag - Lionel Hampton & His Big Band
16 - Adam Blew His Hat - Lionel Hampton & His Big Band
17 - Tempo's Birthday - Lionel Hampton & His Big Band
18 - Playboy - Lionel Hampton & His Big Band

Kathy Barr - Follow Me 1957 LP Digital Noise cleaning and mixed,at Audio Design Studio 2013th.


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Kathy Barr - Follow Me

1957

01 - Tip-Toe Through The Tulips
02 -  My Heart Belongs To Daddy
03 - Cuddle Up A Little Closer
04 - How Long Has This Been Going On
05 - I'm Just Wild About Harry
06 - Give Me Something To Remember You By
07 - Bye Bye Blackbird
08 - Love Is Here To Stay
09 - Day In, Day Out    
10 - Fine And Dandy
11 - I Know He's Mine
12 - Follow Me

2013. október 2., szerda

Julie London - Latin In A Satin Mood_LP 1963 Digital noise cleaning and mixed, at Audio Design Studio 2013th.

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01 - Frenesi
02 - Be Mine Tonight
03 - Yours
04 - Besame Mucho
05 - Adios
06 - Sway
07 - Perfidia
08 - Come Closer To Me
09 - Amor
10 - Magic Is The Moonlight
11 - You Belong To My Heart
12 - Vaya Con Dios



2013. augusztus 25., vasárnap

Howard Roberts Quartet - Whatever's Fair LP 1966. Digital restored,noise cleaning and mixed, at Audio Design Studio 2013th.



01 - The shadow of your smile
02 - Sweet september
03 - Pussy cat
04 - Whatever's fair!
05 - This is the life
06 - On a clear day (you can see forever)
07 - I'll only miss her when i think of her
08 - Manha de carnaval
09 - Michele
10 - A taste of honey
11 - Bye bye blues



Personnel: 

Howard Roberts (guitar)
Henry Cain (organ)
Bill Pittman (guitar)
Chuck Berghofer (bass)
Earl Palmer (drums)
Jill Roberts (percussion)
Larry Bunker (drums)


We're still in the wild '60s when Howard Roberts was on a roll producing some very fine pop-oriented guitar jazz as was the fad these days, a fact easily witnessed by these two magnificent Capitol LPs on one CD. Forget rock 'n roll for a moment, this is expertly crafted Daiquiris-by-the-pool music by the top session men
( all that jazz )

2013. augusztus 16., péntek

Anoranza LP Digital transfer, restored, noise cleaning and mixed, at Audio Design Studio 2013th.


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A.

1. AMOR QUE RENACE
2. RUNA SUERTE
3. AL BESAR DE UN PETALO
4. NO TE PUEDO OVIDAR
5. LAGRIMAS DEL ALMA
6. LOS OJOS DE MI CHOLITA
7. BRISAS DEL EQUADOR

B.

1. MADRIGAL DE AMOR
2. LA VUELTA DE CHAGRA
3. AVECILIA PRISIONERA
4. DOS GOITTAS
5. ANORANZA
6. NOCHES DEL NIZA0000
7. CORAZON, CORAZON

2013. augusztus 5., hétfő

Billy Vaughn - The Music of the 1960 LP1 - LP2 Digital transfer, restored, noise cleaning and mixed, at Audio Design Studio 2013th.




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01 - Love Is Blue
     Written By:  Andre Popp*, Bryan Blackburn, Pierre Cour
02 - Let It Be Me
     Written By:  Gilbert Becaud*, Mann Curtis, Pierre Delanoe*
03 - Gentle On My Mind
     Written By:  John Hartford
04 - The Look Of Love
     Written By:  Bacharach And David
05 - This Guy's In Love With You
     Written By:  Bacharach And David


06 - Danke Schoen
     Written By:  Bert Kaempfert, Schwabach*, Gabler*
07 - Everybody's Talkin'
     Written By:  Fred Neil
08 - I Left My Heart In San Francisco
     Written By:  Douglass Cross, George Cory
09 - People
     Written By:  Bob Merrill, Julie Styne*
10 - A Taste Of Honey
     Written By:  Bobby Scott, Ric Marlow


01 - The Girl From Ipanema
     Written By:  Jobim*, Gimble*, DeMoraes*
02 - Michelle
     Written By:  Lennon-McCartney
03 - Alfie
     Written By:  Bacharach And David
04 - The Shadow Of Your Smile
     Written By:  Johnny Mandel, Paul Francis Webster
05 - Strangers In The Night
     Written By:  Bert Kaempfert, Charles Singleton, Eddie Snyder


06 - Sweet Caroline
     Written By:  Neil Diamond
07 - Somewhere, My Love (Lara's Theme From Dr. Zhivago)
     Written By:  Maurice Jarre, Paul Francis Webster
08 - Little Green Apples
     Written By:  Bobby Russell
09 - Exodus
     Written By:  Ernest Gold
10 - Moon River
     Written By:  Henry Mancini, Johnny Mercer

RE UPLOAD!! Ben Selvin and His Orchestra - Happy Days Are Here Again 1925 - 1931 Digital transfer, restored, noise cleaning and mixed, at Audio Design Studio 2012







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Personal Sorting

01 - Happy Days Are Here Again 1930
02 - The One Man Band 1931
03 - Little Mary Brown 1931
04 - In My Bouquet of Memories 1928
05 - My Man From Caroline 1930
06 - Learn to Croon 1931
07 - Aint She Sweet 1930
08 - Do the New York 1931
09 - Baby Face 1930
10 - Bend Down, Sister 1931
11 - You Said It 1931
12 - Sing Another Chorus, Please 1931
13 - This Is The Missus 1931
14 - Smile, Darn Ya, Smile 1931
15 - Steppin' in Society 1925
16 - Nobody Loves My Baby Like My Baby Love 1927
17 - I'm Crazy 'Bout My Baby 1931
18 - Potatoes Are Cheaper Now's the Time To 1929




Ben Selvin (March 5, 1898 - July 15, 1980), son of Russian-immigrant Jewish parents, was a musician, bandleader, record producer and innovator in recorded music. He was known as The Dean of Recorded Music.
Selvin started his professional life at age 15 as a fiddle player in New York City night clubs. A "husky" lad, he looked older than he was and as such was permitted into such establishments.
A mere six years later, as leader of his own dance band, the "Novelty Orchestra," Selvin released the biggest-selling popular song in the first quarter-century of recorded music. That single, "Dardanella", eventually went on to sell more than 5 million copies and an additional 2 million pieces of sheet music.
According to The Guinness Book of World Records, Selvin recorded more musical sides (on 78-rpm discs) than any other person. One reason for this prolific output is that he recorded for dozens of different labels during this high-growth time in the industry, using a different name (or slightly different name) for each label.
Selvin's output has been estimated at 13,000 to 20,000 song titles.
More information about Ben Selvin can be found at : http://www.redhotjazz.com/selvin.html

Ben Selvin data

  • During the Columbia era, he recorded under many different names including "The Broadway Nightlites", "The Knickerbockers", "The Columbians", "The Cavaliers", "Barney Trimble and his Oklahomans", "Perley Stevens and his Orchestra", "Jerry Mason and his Californians", "The Harmonians", "Rudy Marlow and his Orchestra", "Columbia Photo Players", "Frank Auburn and his Orchestra", "Kolster Dance Orchestra", "Lloyd Keating and his Music", "Earl Marlow and his Orchestra", "Ed Loyd and his Orchestra", Ray Seeley and his Orchestra", "Sam Nash and his Orchestra", "Mickie Alpert and his Orchestra", :Johnny Walker and his Orchestra", Chester Leighton and his Sophmores", "Wally Edwards and his Orchestra", "Roy Carroll and his Sands Point Orchestra", "Buddy Campbell and his Orchestra", "Golden Terrace Orchestra", "Ted Raph and his Orchestra", "Georgia Moonlight Serenaders", "Cloverdale Country Club Orchestra", and "Ed Parker and his Orchestra".
  • Had an instrumental part in the development of Muzak in the mid-1930s.
  • Was an A&R Director at RCA Victor in charge of the company's popular Camden Label and
  • served as the Musical Director for a recording in 1954 by John Serry, Sr..
Originally a violinist, Ben Selvin probably made more records than any other bandleader of the 78 rpm era, his career in the record industry spanning decades. He may be best known among record collectors not for specific recordings but for quantity. Articles on page 145 of the January 1924 issue of Talking Machine World and page 86 of the January 1924 issue of Metronome celebrated Selvin's 1,000th record--this was early in Selvin's career. The articles, evidently based on the same press release prepared by Selvin himself, state that the musician was "twenty-five years of age." Page 67 of the February 1925 issue of Metronome states that Selvin "recently made his 1200th phonograph record." He remained important in the record industry for decades, even becoming a vice president of Columbia during the heyday of Frank Sinatra, Dinah Shore, Doris Day and Buddy Clark. Later he was an A & R man for RCA, overseeing the popular RCA Camden series of reissued material until forced to retire at age 65.
He was born around 1898 to Russian immigrants. His father, Max, was a tailor. Page 34d of the September 1927 issue of Talking Machine World gives this background information: "Ben Selvin, a native of New York, started fiddling at the age of seven. He made his first public appearance at the Star Casino at the age of nine. Acclaimed a prodigy, and presented with a gold medal in recognition of his genius, it was planned to send him to Paris for further study. Reverses prevented, but Ben was determined to succeed, so he kept on working in and around New York. In 1913 Mr. Selvin made his first appearance on Broadway. From there he went to Rector's, then to Reisenweber's and Healy's. When nineteen years old, Ben Selvin organized his own orchestra and played at the Moulin Rouge for Broadway's record orchestral run--a run of seven years." Page 86 of the January 1924 issue of Metronome states, "In 1922 he was assigned to the newly created Broadway, which, with an augmented orchestra, he took by storm. Soon his popular aggregation was transferred to the 'Pavilion Royal,' where more admirers were won."
Victor's November 1919 supplement credits Benjamin B. Selvin for arranging the two numbers on Victor 18614 performed by Selvin's Novelty Orchestra, "Mandy" and "Novelty One-Step." Soon afterwards came his best-selling record, "Dardanella," with lyrics by Fred Fisher, music by Johnny Black and Felix Bernard. This was cut by Selvin's Novelty Orchestra for Victor 18633 on November 20, 1919, and issued in February 1920.
The June 1921 issue of Talking Machine World announced that Selvin's Novelty Orchestra, engaged at the time at the Moulin Rouge in New York City, "signed up exclusively for the making of Vocalion records." (Curiously, Brunswick and other companies continued to issue discs of Selvin's Orchestra.) The September 1922 issue of the trade journal announced that Selvin would continue to be exclusive to the Vocalion label, and page 143 of the September 1923 issue of Talking Machine World announced that Selvin again signed to be an exclusive Vocalion artist, adding, "Although only twenty- eight years old he not only directs the Selvin Orchestra at the Moulin Rouge, New York, but he directs and manages the Bar Harbor Society Orchestra and the Broadway Syncopators, both exclusively Vocalion combinations....It is said, besides furnishing six records or twelve selections a month for the Vocalion list, his orchestra also accompanies most of the Vocalion artists in their recordings of popular songs....[H]e keeps three arrangers busy preparing effective and novel orchestrations."
He worked often in radio by 1924. Page 57 of the June 1924 issue of Dominant Orchestra Monthly states, "Few radio orchestras have so completely captivated 'listeners-in' as has Ben Selvin's Moulin Rouge Orchestra, Vocalion record artists who broadcast every Monday night over Station WJZ." Page 54 of the November 1924 issue of Talking Machine World describes WJZ programs sponsored by the Aeolian Company in New York City: "The program on Monday was opened by several irresistible dance numbers by Ben Selvin's Woodmansten Inn Orchestra, Vocalion record artists..."
His status as an exclusive Vocalion artist ended on September 1, 1924. He began recording for Columbia, Paramount and the Plaza Music Company, which issued records on Banner and related labels. In 1926 and 1927 he also worked for Brunswick--he had last recorded for the company in 1922 before signing as an exclusive Vocalion artist. He continued to record for Vocalion, which became a Brunswick subsidiary in January 1925.
Page 70 of the February 1925 issue of Metronome announced that "The Famous Phonograph Orchestras Bureau has been organized with headquarters in the Publicity Building, 1576 Broadway, New York City. Associated in this enterprise are Charles Dornberger, Ben Selvin and George D. Lottman. Bookings are made for several of the orchestras that record for the phonograph companies, and a very satisfactory business is reported."
Now with even closer business ties to phonograph companies, he vigorously attacked the new medium of radio, doing it in a way to make phonograph recordings seem a perfect product. Page 67 of the February 1925 issue of Metronome quotes a press release issued by Selvin: "Radio in its present stage is a menace to the artist who broadcasts; its publicity value dwindles into insignificance when compared to the harm that it does. I have decided to cancel all future broadcasting dates because I find that radio goes a long way toward impairing one's reputation. The tonal balance perfected in the phonograph recording studios is utterly lacking in radio reproduction; some instrument always stands out as a rule over the air, to the complete exclusion of all the rest. I have investigated this condition intensively, but no amount of position- moving or special orchestrating seems to remedy it. The banjo, particularly, will often muffle the dulcet and sweet tones of the saxophone, and other instruments prove similarly offensive. Then, there is a harmful tendency on the part of many musicians, particularly amateurs, to 'hog' the air in their over-anxiety. This, combined with the very poor balance achieved by the broadcasting orchestra, makes radio music a really hideous thing. Until these evils are remedied, I, for one, am going to let the radio alone."
He soon performed on radio again, presumably lured to the medium by a sufficiently lucrative contract. Page 60 of the March 1925 issue of Metronome states, "Ben Selvin has added three men to his Woodmansten [Inn] orchestra and will have nine musicians on the job for the coming season. Selvin is now broadcasting through station WFBH and is doing his own announcing." That all of radio's "evils" listed a month earlier by Selvin had been remedied so quickly is unlikely.
By the end of 1927 he was closely associated with Columbia. Page 34d of the September 1927 issue of Talking Machine World states, "Ben Selvin, besides being known as one of the greatest of American orchestral leaders, has accepted the post of Program Director of the Columbia Phonograph Hour, sponsored by the Columbia Phonograph Co., to be presented every Wednesday evening over the entire chain of the Columbia Broadcasting System, starting September 28." The Columbia Broadcasting System, a broadcasting chain controlled by the Columbia Phonograph Company, had been formed only months earlier.
Page 128 of the November 1927 issue states, "The Columbia Phonograph Co. announces that it has secured a three-year contract with Ben Selvin and His Orchestra, by which this celebrated dance orchestra and its leader will record exclusively for Columbia. The first release under the new contract is a coupling of 'Playground in the Sky' and 'Wherever You Are,' both...from the new musical comedy success, 'Sidewalks of New York.' Ben Selvin has the distinction of recording the famous phonograph record of 'Dardanella' back in 1919, the record which sold more copies than any other up to the recent phenomenal success of Columbia's 'Two Black Crows' records. Another early great hit of Mr. Selvin's was 'Three O'Clock in the Morning.' Ben Selvin has recorded more than 3,000 selections for various phonograph companies in the past."
This article's claim that "Dardanella" was the industry's best-seller prior to 1927 is probably not true though the disc was genuinely popular.
A few records among his thousands are "I'm Forever Blowing Bubbles" (Victor 18603, 1919), "Yes! We Have No Bananas" (vocal by Irving Kaufman, Vocalion 14590, 1923), "Oh, How I Miss You Tonight" (Columbia 359-D, 1925), "Manhattan" (Columbia 422, 1925), "Blue Skies" (Columbia 860-D, 1927), "Happy Days Are Here Again" (Columbia 2116-D, 1930), and "When It's Springtime in the Rockies" (Columbia 2206-D, 1930). In the early 1930s he led orchestras on radio. For example, during the winter of 1933-34 he directed The Taystee Breadwinners over New York City's WOR on Monday, Wednesday and Friday at 8:15 p.m. on a show sponsored by the Taystee Bread Company and starring Billy Jones and Ernest Hare, who were called "The Taystee Loafers."
Joseph Lanza reports on page 46 in Elevator Music (St. Martin's Press, 1994), "Selvin was Muzak's chief programmer in its early years; he supervised its first New York City transmission in 1936 and had helped the company devise its first standardized programming."
George T. Simon writes in The Big Bands (New York: Schirmer Books, 1981) about Selvin's connection with James Caesar Petrillo, president of the American Federation of Musicians, who was worried about musicians being put out of work by radio broadcasts as well as jukeboxes reproducing music from records: "...[P]erturbed by the possible adverse effects of recording on his membership, he hired Ben Selvin, a highly respected recording executive and orchestra leader, to conduct a thorough study of the entire recording field as it affected musicians. Selvin's report was exhaustive. Presented at the annual convention of the musicians' union, it received a standing ovation from the delegates..."
Selvin argued against a ban on recording, pointing to other ways to address the problem of large numbers of musicians being unemployed, but Petrillo ordered that a ban go into effect on August 1, 1942. The ban was arguably a disaster for working musicians--for example, it contributed to the decline of big bands or the "swing" era--but in the end the major record companies did agree to pay the union a royalty for released records.
Around 1947 Selvin worked for Majestic Records as chief of artists and repertory. Late in life he worked for RCA, overseeing the popular RCA Camden reissue series. In the early 1960s, he was forced to retire from RCA at age 65. He became a consultant for 3M (Minnesota Mining and Manufacturing), a company that transferred recordings to audiotape. He recommended records to be transferred to the new tape medium. In the mid-1970s he was reunited with former Brunswick recording director Walter Haenschen ("Carl Fenton") for a taped interview at Lincoln Center. The unpublished interview is part of the Haenschen collection at Ithaca College in upstate New York.
He married three times. His first wife, Alice, bore him a son, Robert, in 1924 (he died in 1999). In 1944 he married Gloria, and they had two children, Rick (1944) and Rene (1950). Following Gloria's death in the 1970s, he married a woman named Dorothy. He died July 15, 1980, while recuperating from a heart attack.




2013. július 7., vasárnap

RE UPLOAD!!! / Jack Hylton & His Orchestra - Painting The Clouds With Sunshine


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01 - Life Begins At Oxford Circus
02 - Drop In The Next Time You're Passing
03 - Change Partners
04 - Music, Maestro Please
05 - If The Moon Turns Green
06 - Painting The Clouds With Sunshine
06 - Blue Skies Are Around The Corner
07 - Good Morning
08 - September In The Rain
09 - The Melody Maker
10 - Swing Is In The Air
11 - Why Doesn't Somebody Tell Me These Things?
12 - Medley (Anything Goes,You're The Top,The Gypsy In Me)
13 - Have You Met Miss Jones?
14 - Lovely Liza Lee
15 - She Shall Have Music
16 - Do The Runaround
17 - Unbelievable
18 - One, Two, Button Your Shoe
19 - Hypnotised
20 - Give A Little Whistle
21 - Get Out Of Town