Michel Pruvot Présente - Mega Musette vol 1 - 4

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Cd-1

01 - Michel Pruvot - A Fond la Caisse [Galop]
02 - Maurice Larcange - Mon Amant de St. Jean [Valse]
03 - Louis Corchia - Furia Gitane (Paso Doble)
04 - Louis Ledrich - Printemps D'Alsace [Valse]
05 - Yvette Horner - La Marche des Mineurs
06 - Michel Pruvot - La Bougnate [Valse]
07 - Jacky Noguez - El Choclo [Tango]
08 - Emile Prud'Homme - Dédé de Montmartre [Valse]
09 - Andre Blot - La Mattiche [Marche]
10 - Michel Pruvot - Sur un Air D'Accordéon [Valse]
11 - Milan Gramantik - Adios Milano (Paso Doble)
12 - Jo Privat - Balajo [Valse]
13 - Louis Corchia - Pampero [Tango]
14 - Tony Muréna - Adios Sevilla (Paso Doble)
15 - Yvette Horner - Y'avait du Printemps Partout [Valse]
16 - Michel Pruvot - Laisse-Moi T'Aimer [Tango]
17 - Maurice Larcange - Mambo Loto
18 - Andre Brocoletti - Princesse Gzardas [Valse Viennoise]
19 - Emile Vacher - Les Triolets [Polka]
20 - Jean Segurel - Bruyeres Corréziennes [Valse]
21 - Michel Pruvot - La Fiesta del Sol (Paso Doble)
22 - Roger Sy - L' Etoile des Troubadours [Valse]
23 - Louis Ledrich - La Marche du Festival
24 - Michel Pruvot - Perles de Cristal [Polka]
25 - Jean Vaissade - Sombreros et Mantilles (Paso Doble)

Cd-2

01 - Michel Pruvot 01 Spounick [Galop]
02 - Yvette Horner 02 Gatitos Negros (Paso Doble)
03 - Jo Privat 03 Sa Préférée [Valse]
04 - Michel Pruvot 04 A Rosas en Espagne (Paso Doble)
05 - Michel Pruvot 05 Olé Olé (Paso Doble)
06 - Milan Gramantik 06 Retour de Boheme [Valse Lente]
07 - Tony Muréna 07 In the Mood [Fox, Swing]
08 - Michel Pruvot 08 La Valse des Canaris
09 - Michel Pruvot 09 Le Retour des Hirondelles [Valse]
10 - Yvette Horner 10 Amoureusement [Boléro]
11 - Roger Sy 11 Quel Plaisir de Se Revoir [Marche]
12 - Louis Corchia 12 Moulin Rouge [Boston]
13 - Michel Pruvot 13 Les Oiseaux S'amusent [Valse]
14 - Michel Pruvot 14 La Petite Valse
15 - Jacky Noguez 15 Accordéon Disco [Marche, Disco]
16 - Emile Vacher - Plaisance Fox [Polka, Fox]
17 - Andre Brocoletti - L' Or et L'Argent [Valse Viennoise]
18 - Maurice Larcange 18 Sur le Chemin de Ta Maison [Tango]
19 - Michel Pruvot 19 Le Tango du Bal Musette
20 - Andre Brocoletti - El Luchino (Paso Doble)
21 - Michel Pruvot 21 Le Paso du Bal Busette (Paso Doble)
22 - Tony Muréna 22 Indifférence [Valse]
23 - Michel Pruvot 23 Aubade D'Oiseaux [Valse]
24 - Jo Privat, Jr 24 Djazzy Mandy [Valse Swing]
25 - Michel Pruvot 25 Blaze Away [Marche]

Cd-3

01 - Michel Pruvot - Le Soleil Doit Briller Pour Tout L'Monde [Marche Disco]
02 - Emile Prud'Homme - C'est Lui Qu' Mon Cour a Choisi [Valse]
03 - Jean Vaissade - Dans Les Bras d'Un Matelot [Valse]
04 - Emile Vacher - Avionnette [Polka]
05 - Michel Pruvot - Princesse Accordéon [Valse]
06 - Michel Pruvot - Brise Napolitaine [Valse]
07 - Emile Prud'Homme - Pinsonnette [Polka]
08 - Michel Pruvot - Reine de Musette [Valse]
09 - Jean Ségurel - Retour aux Champs [Valse]
10 - Michel Pruvot - Reve D'Accordéoniste [Valse]
11 - Michel Pruvot - Le Rossignol Montmartrois [Polka]
12 - Louis Ledrich - Fleur de Neige [Valse]
13 - Michel Pruvot - Retour de Liege [Marche]
13 - Roger Sy - C'est la Nuit des Troubadours [Valse]
14 - Michel Pruvot - Le Boston des Amoureux
15 - Jo Privat - Rhythme Futur [Swing]
17 - Andre Blot - Le Chaland Qui Passe [Valse]
18 - Jacky Noguez - Jeannot Musette [Valse]
19 - Yvette Horner - Payotte [Valse]
20 - Jean Ségurel - Nostalgie de Son Pays [Valse]
21 - Jean Vaissade - Ti-Pi-Tin [Valse]
22 - Andrew Blot - Ma Bavaroise [Valse]
23 - Milan Gramantik - Viens Faire un Tour a la Guingette [Valse]
24 - Jo Privat, Jr - Au Bar de L'Accordéon [Valse]
25 - Yvette Horner - Seme Danse Hongroise [Classique]

Cd-4

01 - Alain Musicchini - Au Bal des Amoureux [Valse]
02 - Jean-Paul Cressandon - Sam'di Soir C'est la Fiesta (Paso Doble)
03 - Bertrand Hembert - En Avant Pour le Tango
04 - Thierry Bonnefous - La Rumba Guanabacoa
05 - Yasmine - El Makos (Paso Doble)
06 - Bernard Marly - La Valse a Marlou
07 - Bruno De Smet - Dit Zinzin Paris Paso (Paso Doble)
08 - Corinne Rousselet - Panorama Musette [Valse]
09 - Jacques Demeurs - L' Hymne Officiel de la F.N.C.O.F. [Marche]
10 - Christian Boissonnade - La Java du Cantou Java
11 - James Lesueur - Mister James [Mazurka]
12 - Danyel Dorgere - La Valse des Beaux Jours
13 - Bande A Bardet - Vive Les Pompiers [Marche]
14 - Jacques Besset - Le Moulin de Montfermeil [Valse]
15 - Rene Grolier - Guadeloupe [Boléro]
16 - Alain Vinckier - C'est la Fiesta (Paso Doble)
17 - Jean Robert Chappelet - Passion Bohémienne [Valse]
18 - Andre Trichot - Couleur Paso (Paso Doble)
19 - Claude Geney Mega - Burnhaupt en Fete [Marche]
20 - Christian Peschel - Au Bal de la Boulange Java
22 - Jo Sony - La Java du Bal a Papa Java
23 - Pierre Peribois - La Polka des Thés Dansants
24 - Dominique Bodin - La Revanche Java
25 - Raymond Caille - Les Moules Marinieres [Marche]

Herb Alpert's Tijuana Brass

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01 - the great manolete
02 - spanish harlem
03 - swinger from seville
04 - winds of barcelona
05 - green leaves of summer
06 - more
07 - america
08 - surfin' seĄorita
09 - marching thru madrid
10 - crea mi amor
11 - mexican corn
12 - milord

The Mastersounds With Wes Montgomery - Kismet The King

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01 - Overture
02 - Gesticulate And Rhymes Have I
03 - Olive Tree
04 - Not Since Nineveh
05 - Baubles Bangles And Beads
06 - Fate
07 - And This Is My Beloved
08 - Stranger In Paradise
09 - Dance Of The Siamese Children
10 - I Have Dreamed
11 - Medley (The Puzzlement-Something Wonderful)
12 - Getting To Know You
13 - My Lord And Master
14 - Medley (Hello Young Lovers-Whistle A Happy Tune)
15 - We Kiss In The Shadows
16 - Shall We Dance
17 - Epilogue

Montgomery was born in Indianapolis, Indiana. He came from a musical family; his brothers, Monk (string bass and electric bass) and Buddy (vibraphone and piano), were jazz performers. The brothers released a number of albums together as the Montgomery Brothers. Although he was not skilled at reading music, he could learn complex melodies and riffs by ear. Montgomery started learning guitar relatively late, at the age of 19, by listening to and learning the recordings of his idol, guitarist Charlie Christian. He was known for his ability to play Christian solos note for note and was hired by Lionel Hampton for this ability.^[1]

Many fellow jazz guitarists consider Montgomery the greatest influence among modern jazz guitarists. Pat Metheny has praised him greatly, saying "I learned to play listening to Wes Montgomery's Smokin' At The Half Note." In addition, Metheny stated to the New York Times in 2005 that the solo on "If You Could See Me Now," from this album is his favorite of all time. Joe Pass indicated that, "To me, there have been only three real innovators on the guitar--Wes Montgomery, Charlie Christian, and Django Reinhardt," as cited in James Sallis's The Guitar Players and in his Hot Licks instructional video. In addition, George Benson attests, "Wes had a corn on his thumb, which gave his sound that point. He would get one sound for the soft parts, and then that point by using the corn. That's why no one will ever match Wes. And his thumb was double-jointed. He could bend it all the way back to touch his wrist, which he would do to shock people." Kenny Burrell states, "It was an honor that he called me as his second guitarist for a session." In addition, Stevie Ray Vaughan, Eric Johnson, Joe Satriani, Jimi Hendrix, David Becker, Joe Diorio and Pat Martino have pointed to him numerous times as a great influence.

Following the early work of swing/pre-bop guitarist Charlie Christian and gypsy-jazz guitarist Django Reinhardt, Wes joined Tal Farlow, Johnny Smith, Jimmy Raney, and Barney Kessell to put guitar on the map as a bebop / post-bop instrument. While these men generally curtailed their own output in the 1960s, Montgomery recorded prolifically during this period, lending guitar to the same tunes contemporaries like John Coltrane and Miles Davis were recording. While many Jazz players are regarded as virtuosos, Montgomery had a very wide influence on other virtuosos who followed him, and in the respect he earned from his contemporaries. To many, Montgomery's playing defines jazz guitar and the sound that learners try to emulate.

Dave Miele and Dan Bielowsky claim, "Wes Montgomery was certainly one of the most influential and most musical guitarists to ever pick up the instrument....He took the use of octaves and chord melodies to a greater level than any other guitarist, before or since....Montgomery is undoubtedly one of the most important voices in Jazz guitar that has ever lived-or most likely ever will live. A discussion of Jazz guitar is simply not thorough if it does not touch upon Wes Montgomery." (Jazz Improv Magazine, vol 7 # 4 p. 26).

"Listening to [Wes Montgomery's] solos is like teetering at the edge of a brink," composer-conductor Gunther Schuller asserted, as quoted by Jazz & Pop critic Will Smith. "His playing at its peak becomes unbearably exciting, to the point where one feels unable to muster sufficient physical endurance to outlast it." Wes received many awards and accolades: Nominated for two Grammy Awards for Bumpin', 1965; received Grammy Award for Goin' Out of My Head as Best Instrumental Jazz Performance by Large Group or Soloist with Large Group, 1966; nominated for Grammy Awards for "Eleanor Rigby" and Down Here on the Ground, 1968; nominated for Grammy Award for Willow, Weep for Me, 1969. Wes' second album, The Incredible Jazz Guitar of Wes Montgomery, earned him Down Beat magazine's "New Star" award in 1960. In addition, he won the Down Beat Critic's Poll award for best Jazz guitarist in 1960, '61, '62,'63, '66, and 1967. (NPR.org, September 26, 2007).

Montgomery toured with Lionel Hampton early in his career, however the combined stress of touring and being away from family brought him back home to Indianapolis. To support his family of eight, Montgomery worked in a factory from 7:00 am to 3:00 pm, then performed in local clubs from 9:00 pm to 2:00 am. Cannonball Adderley heard Montgomery in an Indianapolis club and was floored. The next morning, he called record producer Orrin Keepnews, who signed Montgomery to a recording contract with Riverside Records. Adderly later recorded with Montgomery on his Pollwinners album. Montgomery recorded with his brothers and various other group members, including the Wynton Kelly Trio which previously backed up Miles Davis.

John Coltrane asked Montgomery to join his band after a jam session, but Montgomery continued to lead his own band. Boss Guitar seems to refer to his status as a guitar-playing bandleader. He also made contributions to recordings by Jimmy Smith. Jazz purists relish Montgomery's recordings up through 1965, and sometimes complain that he abandoned hard-bop for pop jazz towards the end of his career, although it is arguable that he gained a wider audience for his earlier work with his soft jazz from 1965-1968. During this late period he would occasionally turn out original material alongside jazzy orchestral arrangements of pop songs. In sum, this late period earned him considerable wealth and created a platform for a new audience to hear his earlier recordings.

Wes Montgomery died of a heart attack on June 15, 1968 in Indianapolis, Indiana, USA.^[2]

[edit] Technique

According to Jazz guitar educator Wolf Marshall, Montgomery often approached solos in a three-tiered manner: He would begin a repeating progression with single note lines, derived from scales or modes; after a fitting number of sequences, he would play octaves for a few more sequences, finally culminating with block chords.^[1]

The use of octaves (playing the same note on two strings one octave apart) for which he is widely known, became known as "the Naptown Sound". Montgomery was also an excellent "single-line" or "single-note" player, and was very influential in the use of block chords in his solos. His playing on the jazz standard Lover Man is an example of his single-note, octave- and block-chord soloing. ("Lover Man" appears on the Fantasy album The Montgomery Brothers.)

Instead of using a guitar pick, Montgomery plucked the strings with the fleshy part of his thumb, using downstrokes for single notes and a combination of upstrokes and downstrokes for chords and octaves. Montgomery developed this technique not for technical reasons but for his wife. He worked long hours as a machinist before his career began and practiced late at night while his wife was sleeping. He played with his thumb so that his playing would be softer and not wake her. This technique enabled him to get a mellow, expressive tone from his guitar. George Benson, in the liner notes of the Ultimate Wes Montgomery album, wrote, "Wes had a corn on his thumb, which gave his sound that point. He would get one sound for the soft parts, and then that point by using the corn. That's why no one will ever match Wes. And his thumb was double-jointed. He could bend it all the way back to touch his wrist, which he would do to shock people."

He generally played a Gibson L-5CES guitar. In his later years he played one of two guitars that Gibson custom made for him. In his early years, Montgomery had a tube amp, often a Fender. In his later years, he played a solid state Standel amp with a 15-inch (380 mm) speaker.

[edit] Recording career

Montgomery toured with vibraphonist Lionel Hampton's orchestra from July 1948 to January 1950, and can be heard on recordings from this period. Montgomery then returned to Indianapolis and did not record again until December 1957 (save for one session in 1955), when he took part in a session that included his brothers Monk and Buddy, as well as trumpeter Freddie Hubbard, who made his recording debut with Montgomery. Most of the recordings made by Montgomery and his brothers from 1957-1959 were released on the Pacific Jazz label.^[1]

From 1959 Montgomery was signed to the Riverside Records label, and remained there until late 1963, just before the company went bankrupt. The recordings made during this period are widely considered by fans and jazz historians to be Montgomery's best and most influential. Two sessions in January 1960 yielded The Incredible Jazz Guitar of Wes Montgomery, which was recorded as a quartet with pianist Tommy Flanagan, bassist Percy Heath and drummer Albert "Tootie" Heath. The album featured two of Montgomery's most well-known compositions, "Four on Six" and "West Coast Blues."

Almost all of Montgomery's output on Riverside featured the guitarist in a small group setting, usually a trio (and always with his organist from his Indianapolis days, Melvin Rhyne), a quartet, or a quintet, playing a mixture of hard-swinging uptempo jazz numbers and quiet ballads. The lone exception, Fusion, telegraphed his post-Riverside career: it was his first recording with a string ensemble. One of the more memorable sets involved a co-leadership collaboration with vibraphone virtuoso and Modern Jazz Quartet mainstay Milt Jackson, whom producer Orrin Keepnews has said insisted on a collaboration with Montgomery as a condition for signing a solo recording deal with Riverside.

In 1964 Montgomery moved to Verve Records for two years. His stay at Verve yielded a number of albums where he was featured with an orchestra---brass-dominated (Movin' Wes), string-oriented (Bumpin', Tequila), or a mix of both (Goin' Out of My Head, California Dreamin').^[1]

But he never abandoned jazz entirely in the Verve years, whether with a few selections on most of the Verve albums, or by such sets as 1965s Smokin' at the Half Note (showcasing two memorable appearances at the famous New York City club with the Wynton Kelly Trio) or a pair of albums he made with jazz organ titan Jimmy Smith, The Dynamic Duo and The Further Adventures of Jimmy and Wes). He continued to play outstanding live jazz guitar, as evidenced by surviving audio and video recordings from his 1965 tour of Europe.

As a considered founder of the Smooth Jazz school the album "Bumpin'" (1965) represents a model from which many modern recording are derived: as the liner notes to the CD remaster issue note, after being unable to produce the desired results by the guitarist and orchestra playing together, arranger Don Sebesky suggested Montgomery record the chosen music with his chosen small group, after which Sebesky would write the orchestral charts based on what Montgomery's group had produced. Longer clips from all of the tracks on "Bumpin'" and other Wes Montgomery albums are found on Verve Records website.

By the time Montgomery released his first album for A&M Records, he had seemingly abandoned jazz entirely for the more lucrative pop market, though as in his Verve period he played his customary jazz in small group settings in live appearances. The three albums released during his A&M period (1967-68) feature orchestral renditions of famous pop songs ("Scarborough Fair," "I Say a Little Prayer for You," "Eleanor Rigby," etc.) with Montgomery reciting the melody with his guitar. These records were the most commercially successful of his career, but featured the least jazz improvisation.^{[citation needed]}

He didn't have very long to live to enjoy his commercial success, however; in 1968, he woke one morning, remarked to his wife that he "Didn't feel very well," and minutes later collapsed, dying of a heart attack within minutes. Montgomery's home town of Indianapolis has named a park in his honor. He is the grandfather of actor Anthony Montgomery.^[1]

Wes and Buddy, along with Richard Crabtree and Benny Barth, formed "The Mastersounds", and recorded "Jazz Showcase Introducing The Mastersounds" and a jazz version of "The King and I", both released by World Pacific Records. They first played together at Seattle, particularly working up the set for "The King and I", at a club called Dave's Fifth Avenue. The composers were so impressed by the jazz version of "The King & I" that they pre-released the score of "Flower Drum Song" to the quartet to allow simultaneous release with the sound track album.

American Composers,Golden Greats 1 - 3 disc

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Disc 1

01 Rhapsody in blue
02 The way you look tonight
03 I've got my love to keep me warm
04 A fine romance
05 Cheek to cheek
06 Somebody loves me
07 I won't dance
08 The man I love
09 Our love is here to stay
10 Dearly Beloved
11 The folks who live on the hill
12 Someone to watch over me
13 Who-
14 Puttin' on the Ritz
15 Smoke gets in your eyes
16 The song is you
17 A foggy day
18 Love for sale
19 They can't take that away from me
20 I've got yoy under my skin


Disc 2

01 The carousel waltz
02 Happy talk
03 I got plenty of nuttin'
04 Only make believe
05 Anything you can do
06 I get a kick out of you
07 People will say we're in love
08 Getting to know you
09 Marrying for love
10 The sound of music
11 My funny valentine
12 So in love
13 Easter parade
14 Slaughter on 10th avenue
15 Bewitched
16 I love Paris
17 Summertime
18 I'm gonna wash that man right out of my hair
19 The lady is a tramp
20 Oh what a beautiful morning

Disc 3

01 Stars and stripes forever
02 Strike up the band
03 Washington Post
04 Alexander's ragtime band
05 From Maine to Oregon
06 The Kansa wildcats
07 Anything goes
08 The thunderer
09 Victoria at sea
10 The belle of Chicago
11 An American in Paris
12 Manhattan Beach
13 High School cadets march
14 Kansas City
15 Semper fidelis
16 Liberty bell
17 Tribute ti Irving Berlin
18 Hands across the sea

Mark Knopfler - Chet Atkins - Pap and the Sidemen - Jack Blanchard & Misty Morgan - 'Bronco' Buck Cody - Kim Anthony - Crockett Frizzell - Johny Cash

Johny Cash

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01 - Poor Boy Blues - Mark Knopflar
02 - Dreaming Once More - Pap and the Sidemen
03 - Yakety Axe - Mark Knopflar
04 - Tennessee Bird Walk - Jack Blanchard & Misty Morgan
05 - The Next Time I` M In Town - Mark Knopflar
06 - Lying Again - 'Bronco' Buck Cody
07 - Rudiger - Mark Knopflar
08 - Raisin' The Dickens - Pap and the Sidemen
09 - iII See You In My Dreams - Mark Knopflar
10 - Never Find Another You - Kim Anthony
11 - Therell Be Some Changes Made - Mark Knopflar
12 - Call On Me - Jack Blanchard & Misty Morgan
13 - Just One Time - Mark Knopflar
14 - You & Me - Crockett Frizzell
15 - Ghost Riders In The Sky - Johny Cash
16 - Rng O Fire - Johny Cash
17 - Molokai Cowboy - John Davis
18 - Texas Out Of Me - 'Bronco' Buck Cody

DiscTime: 63:06:34


Jack Blanhard and Misty Morgan






























'Bronco' Buck Cody

Sramli Lajcsi Medley - MC Digital transfer, noise cleaning and mixed, at Audio Design Studio Home Sound Recording Studio 2009.

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A oldal

Sej. haj Rozi
Gyere velem az erdőbe
Evforduló ketingő
Soroksáron tűz ütött ki
Júniusban nem esik a hó
Sósborszesz
Igyunk még egy pohár bort
Uncili. Smuncili
Kakukk keringő

B oldal

Jozef, Jozef
Nem az a fontos az ember hány éves
Ó Susanna
A babám budakeszi
Margaréta téged úgy ...
Tron-Trombitás
Schneider fáni
A Dunában úszik egy
Sört iszunk mi
Szesztárs / Gatya lnduló/

Nemeth Lehel - Legendak MC Digital transfer, noise cleaning and mixed, at Audio Design Studio Home Sound Recording Studio 2009.

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01 - Fogj egy sétapálcát
Fenyes Szabolcs - Bacso Peter
a Módos vokál
a Magyar Radio es Televizio Tanczenekara Vezenyel: Zsoldos Imre

02 - Jázminvirág
Garai Imre
a Magyar Rádió es Televizió Tánczenekara Vezenyel: Zsoldos Imre

03 - Melodie d’Amour
Salvatore
a Magyar Rádió es Televizio Tanczenekara
Vezényel: Gyulai Gaal János

04 - Aj,ja Ja
Nádas Gabor - Szenes Iván a “Potyautas” c. zenés játékból
Sarosi Katalin a Harmonia vokal a Körmeridi együttes

05 - Én visszahozom divatba a foxtrottot Tardos Péter Szenes Ivan
a Magyar Ractio Tanczenekara vezenyel: Bágya Andras

06 - Ó Serenella
Fenyes Szabolcs - Koczian Katalin
sz Oktáv vokál
Magyar Rádió Tánczenekara
Vezényel: Zsoldos Imre

07 - Neonfényes Budapest
Hadai Győző - Nemeth Attila Laszlo
a Magyar Radio Tánczenekara vezényel: Begya Andras

08 - Talán egy perc alatt
Szegedi Gy. - Fazekas - . Nagy Istvan a Magyar Rádió Tánczenekara vezényel: Bagya Andras

09 - Lehet, hogy szép nem vagyok (Jllmann Otto - S. Nagy István - Hajnal Gabor a Módos vokál
a Körmendi együttes

10 - Nékem csak Budapest kell
Fényes Szabolcs - Romhanyi József
a Módos vokál
a Magyar Radió és Televízió Tanczenekara
Vezényel: Zsoldos Imre
a Magyar Radió Tánczenekara vezényel: Gyulai GaáI János

11 - Amikor virágba borulnak az almafák
Majláth Júlia - G. Dénes György a Magyar Radió Tanczenekara vezenyel: Bagya András

12 - Halló, Irén a Magyar Radió Tánczenekara vezényel: Gyulai GaáI János
Gyulai Gaal János - G. Denes György

13 - Zsebkendődre köss egy csomót
Nagy Géza - Rákosi János a Körmendi együttes
Betty - Bessy - Elisabeth Ullmann Ottó - Hajnal Istvan a Körmendi együttes

14 - Betty - Bessy - Elisabeth Ullmann Ottó - Hajnal Istvan a Körmendi együttes

15 - Egyedül a tóparton (Reszket a hold...)
Deák Tamás - Hajnal István a Magyar Rádio Vonós Tánczenekara

Chet Atkins and Mark Knopfler - Neck and Neck

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01-Poor Boy Blues
01-Poor Boy Blues.sfk
02-Sweet Dreams
03-There'll Be Some Changes Made
04-Just One Time
05-So Soft, Your Goodbye
06-Yakety Axe
07-Tears
08-Tahitian Skies
09-I'll See You in My Dreams
10-The Next Time I'm in Town

Slágeremlékek emlékezetes slágerek vol 1

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01 - Nyolcvan nap alatta Föld körül / Aruond the World (Victor Young - Harold Adamoon)
BING CROSBY 1956
02 - Jambalaya (Hank Williams) J0 STAFF0RD 1952
03 - Tina Marie (Bob Merrill) PERRY COMO 1955
04 - Zöld mezők / Greenfields (Terry Gilkyson - Richard Oehr - Frank fóliller) THE BR0THERS FOUR 1960
05 - Tüzes csók (Ne hagyd el..) / Kiss ot Fire (Seorgina Villodo -:Lgster.Alian - Rotert Hill) GEORGIA GIBBS 1952
06 - A szerelem dala / Melodie d’amour (Henry Salvador) JOE REISMAN ORCH - 1957
07 - Szeretlek holtomiglan / Love you till I die (Diana Lampert - Johó Gluck Jr.)
BRENOA LEE 1957
08 - Blueberry Hill (Al Lemis - Larry Stock - Vincent Rose) FATS OOMINO 1957
09 - Alomtöndér! Mr - Sandman (Pat Ballard) THE CHOROETTES 1954
10 - Cindy, oh Cindy (Barron - Long - Feltz) MARGOT ESKENS 1957
11 - Bicska Maxi (Koldasopera) / Mack the Knite (Blitzstein - Brecht - Weill)
LOUIS ARMSTRONG 1956
12 - A szerelem dalai Chanson d’amour (Wayne Shanklin) FONTANE SISTERS 1955
13 - Pici szerenád! Picolissima Serenata (Ferrio - Amori - Parsons - Torner) EOMUNOO ROS 1957
14 - Mindenki valakinek a bolondja! Everybody’s Somebody’s Fool (H - Greentield - J - Keller)
CONNIE FRANCIS 1959
15 - Tizenhat tonna! Sixteen tons (Merle Travis) TENNESSEE ERNIE FORD 1955
16 - Turista (Biota - Apollino) LES PAUL 1955
17 - lstanbul (Jimmy Kennedy - Nat Simon) THE FOUR LADS 1953
18 - Mambo ltaliano (Bob Merrill) ROSEMARY CLOONEY 1954
19 - Honvágy-dal / Heimmeh (Terry Gilkyson - Richard Oehr - Rasch - Bader) FREDDIE OUINN 1956
20 - Régimódi kislány! Sweet Old-fashioned Giri (Bob Merrill) TERESA BREWER 1956
21 - Úgy koppan az eső! Jast Walking in the Ram (Riley - Bragg) JOHNNIE RAY 1956
22 - Cukoridő / Sugartime (Phillips - Echols) ALMA COGAN 1958
23 - Sétálva és fötyörészve / Walkin’ and Whistlin’ (Ray Connift) RAY CONNIFF 1958
24 - Nápolyi fiú / Ouaglione (Fanciuli - Nisa) RENATO CAROSONE 1956
25 - Portugál április! April on Portugal (Raoul Ferrao - Jose Galhardo - Jacohs Larue) EARTHA KITT 1953
26 - Kék hold! Blue Moon (Richard Rogers - Lorenz Had) ELVIS PRESLEY 1956
27 - Ahogy lesz, úgy lesz (Oue sera sera) / Whatever will be wiil be (J - Livingston - P Evans) DORIS DAY 1956
28 - Ez a szerelem! That’s love (Paul Anka) PAUL ANKA 1957
29 - Banándal / Banana Boat Song (Harry Belatonte - Lord Burgess - Bill Attaway) HARRY BELAFONTE 1957

Moods Orchestral LP Digital transfer, noise cleaning and mixed, at Audio Design Studio Home Sound Recording Studio 2009.

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01 - Winchester Cathedral
02 - Alfie
03 - Makin Whoopee
04 - Dance of the Hours
05 - Trains & Boats & Planes
06 - Bim! Bam! Boom!
07 - You Only Live Twice
08 - Music To Watch Girls By
09 - Try To Remember
10 - Charade
11 - And I Love Her
12 - We've Only Just Begun

Russ Conway - Lesson One LP 1962 Digital transfer, noise cleaning and mixed, at Audio Design Studio Home Sound Recording Studio 2009.

Ez az album szinte zenei különlegességnek is tekinthető, mivel ezt a játékstílust és előadási módot szinte alig múvelték a zongoristák. Ebből a lemezből sajnos nagyon régóta nem fellelhető egy jó minőségű darab. így tehát maradt egy elég rossz, de használható LP . Ennek a javított változata hallható a letöltés után, vagy a következő linken.



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01 - Roulette
02 - Toy Balloons
03 - Red Roses For A Blue Lady
04 - Do-Re-Mi
05 - I Left My Heart In San Francisco
06 - Hello Dolly
07 - Lesson One
08 - China Tea
09 - Tears
10 - The More I See You
11 - Hi-Lilli Hi-Lo
12 - Strangers In The Night

RUSS CONWAY British Pianist 1925 - 2000 Chart career 1957-1962

Russ Conway was born on 2nd September 1925, and learned to play piano as a child, in the 1930s. He joined the navy as a teenager during World War II, and won a Distinguished Service Medal. He decided to stay in the services after the war, and continued developing his naval career until 1955.

When he left the navy, he decided to make piano playing his profession, and soon found employment in various London night-clubs, and as a rehearsal pianist for the stars. He subsequently became a pianist for top artists like Dennis Lotis, Gracie Fields and Joan Regan. This brought him into contact with record companies, and in 1957 he signed with EMI, and recorded a medley of old sing-along tunes in a honky-tonk style (Party Pops), which was a hit at Christmas that year.

He started to appear on tv at this time, in particular, the Billy Cotton Band Show, one of the top tv shows of the time. As a result, he became immensely popular with his toe-tapping piano style and his charming boyish grin. He even had his own tv series.

Big time stardom came for Russ in 1959 when five of his own compositions made the Top 10 - the first two of the year going all the way to No 1. The earlier of those two, Side Saddle, stayed at the top spot for four weeks, and Russ was the top-selling UK artist in 1959. On the sheet music chart, three of his own compositions were at number one, in total, for over six consecutive months in 1959.

In addition to pop package tours, he starred at the London Palladium several times. He continued producing hit singles between 1960 and 1962, but only one, Toy Ball
oons, made the Top 10 in that period.

He recorded a vast number of albums which always contained some slower tracks which demonstrated his true musical talents. In 1960, he made the Top 20 with a slow piece, Passing Breeze.

In the late sixties he suffered a nervous breakdown and a mild stroke, which prevented him from performing. By the late 1970's, however, he was back at his piano performing to his legions of loyal fans both at home and abroad.

His health began to fail in the late 1990s, but he still performed a final concert during the spring of 2000 in his home town of Eastbourne, Sussex. He was suffering from cancer at that time, and died on 16th November 2000.

Karajan - Adagio - Berlin Philharmonic Orchestra Dirg, Herbert von Karajan

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01 Gustav Mahler - Adagietto
02 Johann Pachelbel - Canon
03 Jules Massenet - Meditation
04 Johannes Brahms - Andante
05 Antonio Vivaldi - Adagio molto
06 Edvard Grieg Peer Gynt - Aase Tod
07 Wolfgang Amadeus Mozart - Adagio
08 Tomaso Albinoni - Adagio
09 Ludwig van Beethoven - Allegretto
10 Johann Sebastian Bach - Air
11 Jean Sibelius - Valse triste

01
Adagietto, for orchestra (from the Symphony No. 5)
Composed by Gustav Mahler
Performed by Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

02
Canon and gigue, for 3 violins & continuo in D major, T. 337 Canon
Composed by Johann Pachelbel
Performed by Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

03
Méditation, violin & orchestra version and various arrangements (from opera "Thäis")
Composed by Jules Massenet
Performed by Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

04
Symphony No. 3 in F major, Op. 90 Unspecified excerpt
Composed by Johannes Brahms
Performed by Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

05
Sinfonia al Santo Sepolcro, sonata for 2 violins, viola & continuo in B minor, RV 169 Adagio molto
Composed by Antonio Vivaldi
Performed by Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

06
Peer Gynt Suite for orchestra (or piano or piano, 4 hands) No. 1, Op. 46 Ases Tod Aase's Death
Composed by Edvard Grieg
Performed by Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

07
Divertimento No. 15 for 2 horns & strings in B flat major ("Lodron Serenade No 2"), K. 287 (K. 271H) Adagio
Composed by Wolfgang Amadeus Mozart
Performed by Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

08
Adagio, for violin, strings & organ in G minor, T. Mi 26 (composed by Remo Giazotto; not by Albinoni)
Composed by Tomaso Albinoni
Performed by Berlin Philharmonic Orchestra
with Leon Spierer, David Bell
Conducted by Herbert von Karajan

09
Symphony No. 7 in A major, Op. 92 Allegretto
Composed by Ludwig van Beethoven
Performed by Berlin Philharmonic Orchestra
Conducted by Herbert von Karajan

10
Orchestral Suite No. 3 in D major, BWV 1068 Air
Composed by Johann Sebastian Bach
Performed by Berlin Philharmonic Orchestra
with David Bell
Conducted by Herbert von Karajan

11
Valse Triste, for orchestra (from Kuolema), Op. 44/1
Composed by Jean Sibelius
Performed by Berlin Philharmonic Orchestra
with David Bell
Conducted by Herbert von Karajan

Edvard Grieg- Peer Gynt - ( Dirg. Herbert von Karajan )

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01 Morning Mood
02 Death of Ase
03 Anitra's dance
04 In the hall of the mounating king
05 Arab dance
06 Ingrid's complaint
07 Peer Gynt's return home
08 Solveij's Song
09 Allegro Molto Moderato
10 Adagio
11 Allegro moderato molto e marcata
12 Quasi presto - Andante maestoso
1271E.jpg
13 'To the Spring', lyrical piece, Op. 43-6
14 Butterfly

Bobby Darin(1961) - The Bobby Darin Story

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01. Splish Splash
02. Early In The Morning
03. Queen Of The Hop
04. Plain Jane
05. Dream Lover
06. Mack The Knife
07. Beyond The Sea
08. Clementine
09. Bill Bailey
10. Artificial Flowers
11. Somebody To Love
12. Lazy River

Albert Hennebel - Accordeon Parade 2

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01 - On A Soif
02 - Voulez Vous Danser Grand-Mere
03 - Sans Chemise Sans Pantalon
04 - Allons La Mere Gaspard
05 - Tango Dún Jour
06 - Sur Mon Velo
07 - A Plein Verre
08 - Reve De Champion
09 - Sante Sante
10 - Toi Mon Souvenir
11 - Charelke
12 - Brussels By Night
13 - Rucki Zucki
14 - Galante Polka
15 - Domino
16 - We Zijn Van De Klas

Albert Hennebel - Accordeon Parade 1

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01. Hoppefeest
02. Quiereme Mucho
03. le Tango Nous Invite
04. Au Belveder
05. Ton Beau Regard
06. Malegys Musette
07. Manuela
08. Minou Tango
09. Texas Boy
10. Tell me Where Can I Go
11. Prestigieuse
12. la Canari Du Fauburg
13. Fleur d'Espagne
14. Champagnette
15. Mister Mac Donald
16. Dommage Dommage
17. la Danse Des Chats
18. la poissonniere

David Riviere From Valse To Swing

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01 Volubilis
02 La Sorciere
03 La Valsonne
04 Indifference
05 Privation
06 Montagne St Genievre
07 Bourrasque
08 Germaine
09 Eulalie Vatz
10 Glissade
11 Passion
12 Brise Napolitaine
13 A St Ouen
14 Flambee Montalbannaise
15 Sacre Mlanouche

Bob Fournier - Accordeon de Paris

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01 - Bob Fournier - Pigalle
02 - Bob Fournier - Le Gamin De Paris
03 - Bob Fournier - Java
04 - Bob Fournier - Sous Les Ponts De Paris
05 - Bob Fournier - C Est Si Bon
07 - Bob Fournier - Domino
08 - Bob Fournier - La Java Bleue
09 - Bob Fournier - French Cancan
10 - Bob Fournier - Sous Le Ciel De Paris
12 - Bob Fournier - Le P Tit Bal Du Samedi Soir
13 - Bob Fournier - Mademoiselle De Paris
14 - Bob Fournier - Les Yeux Noirs
15 - Bob Fournier - Ah Le Petit Vin Blanc
16 - Bob Fournier - La Plus Belle Des Javas
17 - Bob Fournier - Les Roses De Picardie
18 - Bob Fournier - Bal Musette

Organ Royalty

Download_DATA

01 Just In Time
02 Squeeze Me (But Don't Tease Me)
03 Mean, Angry, Nasty and Lowdown
04 Can't Buy Me Love
05 Like Blue
06 Cute
07 Rapid Shave
08 That's for Me
09 The Theme

Oscar Peterson and Nelson Riddle

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01-My Foolish Heart
02-Judy
03-´Round Midnight
04-Someday My Prince Will Come
05-Come Sunday
06-Nightingale
07-My Ship
08-A Sleeping Bee
09-Portrait Of Jenny
10-Goodbye

Ernestine Anderson - Big City

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01-All I Need Is You (Bob Friedman)
02-Street Of Dreams (Young,Lewis)
03-Spring Is Here (Hart,Rodgers)
04-The 59th Street Bridge Song (Paul Simon)
05-I'll Never Pass This Way Again (Bob Friedman)
06-Big City (Marvin Jenkins)
07-All Blues (Davis,Brown)
08-Welcome To The Club (Mel Tormé)
09-I Didn't Know What Time It Was (Hart,Rodgers)

Buddy DeFranco and Nelson Riddle - Cross Country Suite

Download_DATA


01-Tall Timber
02-Smokey Mountain Country
03-The Rockies
04-The Great Lakes
05-The Great Plains
06-Gulf Coast
07-The Mississippi
08-Down East
09-El Camino Real
10-Metropolis
11-Longhorn

Organs In Orbit and Easy music

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01.The Ernie Freeman Combo - Rockhouse 03:52
02.The John Buzon Trio - Ill Wind 02:16
03.Denny McLain - The Girl From Ipanema/Meditation 03:17
04.Jackie Davis - Love Is Just Around the Corner 02:47
05.Sir Julian - Movin' at Midnight 03:09
06.Walter Wanderley - Voce E Eu 02:11
07.The Joe Bucci Trio - Li'l Darlin' 02:41
08.Billy May & His Orchestra - Patricia 02:10
09.The Don Baker Trio - The Third Man Theme 02:05
10.Sir Julian - A Man And A Woman 02:32
11.The John Buzon Trio - Mr Ghost Goes To Town 02:20
12.Denny Mclain - Laura/More 06:13
13.Jackie Davis - Perfidia 02:36
14.Milt Buckner - The Late Late Show 03:38
15.The Ernie Freeman Combo - Fever/Comin' Home Baby 05:58
16.Shay Torrent - Flying Fiddles 01:55
17.Martin Denny - Song Of The Bayou 03:33
18.The Forbidden Five - Enchanted Farm 02:00
19.French Guy - Where Was I 02:48

Mario del Monaco - Es Singt Mario del Monaco LP 1974 Digital transfer, noise cleaning and mixed, at Audio Design Studio Home Sound Recording Studio

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01 - Der Troubadour (Verdi) Dirigent: Alberto Erede
02 - Ein Maskenba (Verdi) Dirigent: Alberto Erede
03 - Die Macht des Schicksas (Verdi)
04 - Carmen (Bizet) Dirigent: Alberto Erede
05 - Die Afrikanerin (Meyerbeer) Dirigent: Alberto Erede
06 - Andrea Chénier (Giordano) Dirigent: Giannadrea Gavazzeni
07 - Der Bajazzo (Leoncavo!Io) Dirigent: Francesco Molinari-Pradelli
08 - Nein ! bin Bajazzo nicht mehr ( finale ) (Leoncavo!Io) Dirigent: Francesco Molinari-Pradelli
09 - Madame Butterf]y (Puccini) Dirigent: Alberto Erede
10 - Das Mödchen aus dem goldenen Westen Dirigent: Franco Capuana
11 - Turandot (Puccini) Dirigent: Alberto Erede
12 - Tosca (Puccini) Dirigent: Francesco Molinari-Pradelli
13 - Tosca ( Puccini ) Und es blitzen die sterne

VEB Deutsche
Schallplatten
Berlin DDR 1974

Nelson Riddle and His Orchestra - Let's Face The Music And Dance

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01 Let's Face The Music And Dance
02 Just One Of Those Things
03 You Do Something To Me
04 You Are My Lucky Star
05 I Get Along Without You Very Well
06 Let's Do It
07 I Love Paris
08 You Leave Me Breathless
09 For All We Know
10 Jeannie, I Dream Of Lilac Time

The Incredible Blues Puppies-In The Doghouse

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01 - Tuff Days
02 - I Dont Get It
03 - Zip You Lip
04 - A Hard Way To Suffer
05 - Away From Here
06 - Too Bad
07 - Chilled Down To The Bone
08 - Mean Mistreatin Mama
09 - Shivering In My Shoes
10 - No Time For You
11 - In The Doghouse
12 - Dont Keep Me Waiting
13 - Hungry Man
14 - Gerards Jump
15 - Got Love If You Want It

T - Bear And The Dukes Of Rhythm - Let The Sweet Talk Flow

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01 - Boogie And Soul
02 - Lipstick Woman
03 - Baby Please Dont Lie To Me
04 - Dont Touch Me Baby
05 - Thats What The Blues Is Al About
06 - Do You Think Im Wrong
07 - Let The Sweet Talk Flow
08 - T - Bear Blues
09 - She Moves Me
10 - Barefottin
11 - Please Love Me
12 - Youre Gone Need Me

Sonny and Cher - The Best Of

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01 - Baby Don't Go ( RA 0392 ) 1965
02 - Just You ( ATL 70 143 ) 1965
03 - Sing C'est La Vie ( ATL 70 143 ) 1965
04 - I Got You Babe ( ATL 4035 ) 1965
05 - Why Don't They let Us fall In Love 1965
06 - Laugh At Me ( Sonny solo ) ( ATL 70 142 ) 1965
07 - But You're Mine ( Atco 45-6381, ATL 70 147 ) 1965
08 - The Revolution Kind ( Sonny solo ) ( ATL 70 147 ) 1965
09 - What Now My Love ( ATL 70 160 ) 1966
10 - Have I Stayed Too Long ( ATL 70 172 ) 1966
11 - Leave Be Me ( ATL 70 172 ) 1966
12 - Little Man ( ATL 70 181 ) 1966
13 - Living For You ( ATL 70 190 ) 1966
14 - Love Don't Come ( ATL 70 190 ) 1966
15 - The Beat Goes On ( ATL 70 198 ) 1967
16 - Beautiful Story 1967
17 - It's The Little Things 1967
18 - My Best Friend's Girl Is Out Of Sight ( Sonny solo ) 1967
19 - Good Combination 1967
20 - I Got You Babe ( Soundtrack ) 1965
21 - Hello ( Atco 45-6381 ) 1965

Orchester Claudius Alzner - Tango Bolero LP 1976 Digital transfer, noise cleaning and mixed, at Audio Design Studio Home Sound Recording Studio 2009.

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Seite A


01 - BIue Tango
(Leroy Anderson)
02 - Avant de mourir
(Georges Boulanger)
03 - Hör’ mein Lied, Violetta
(Othmar Klose - Rudi Lukesch)
04 - Hernando’s Hideaway
(Richard Adler - Jerry Ross)
05 - Jalousie
(Jakob Gade)
06 - Gitarren-Serenade (Zwei Gitarren am Meer)
(Franz Funk)
07 - Tango notturno
(Hans-Otto Bormann)

Seite B


08 - A media luz
(E. Donato)
09 - Blauer Himmel
(Joe Rixner)
10 - La Cumparsita
(G. H. Matos Rodriguez)
11 - Tango Manna
(Ludwig Schmidseder)
12 - Olé Guapa
(A. Malando)
13 - Tango Bolero
(Juan Liossas)
14 - Granada
(Juan Liossas)

Orchester Claudius Alzner ( P ) 1976

Harmonika szerenad MC - CD 1990 Digital transfer, noise cleaning and mixed, at Audio Design Studio Home Sound Recording Studio 2009.

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01 - Gyöngéden Öleu Át - Speak Softly Love
02 - Alexanders Ragtime Band
03 - Rumba Negra
04 - La Paloma
05 - El Condor Pasa
06 - La Cucaracha
07 - Marina
08 - Moliendo Kaffee
09 - Michelle
10 - Csupa Könny A Szobám - Without You
11 - Gyertyafény Keringo

Amanda Lear - I Am A Photograph LP Digital transfer, noise cleaning and mixed, at Audio Design Studio Home Sound Recording Studio 2009.

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01 - Blood and Honey
02 - Alphabet
03 - These Boots Are Mode Fo Walkin
04 - Tomorrow
05 - Pretty Boys
06 - Queen Of China-Town
07 - Alligator
08 - The Lady In Black
09 - I Am A Photograph
10 - Blue Tango