2012. június 30., szombat

La Vida Es Bella / Az élet szép / Life Is Beautiful



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TRACKS

01. Buon Giorno Principessa
02. La Vida Es Bella
03. Viva Giosue
04. Grand Hotel Valse
05. La Notte Di Favola
06. La Notte Di Fuga
07. Le Uova Nel Cappello
08. Grand Hotel Fox
09. Il Treno Nel Buio
10. Arriva Il Carro Armato
11. Valse Larmoyante
12. L'Uovo Di Struzzo-Danza Etiope
13. Krautentang
14. Il Gioco Di Giosue
15. Barcarolle (Barcarolle Earths Night - Offenbach Barcarolle (Belle nuit) from The Tales of Hoffmann) Digital restored, and noise cleaning.
16. Guido E Ferruccio
17. Abbiamo Vinto 

In 1930s Italy, a carefree Jewish book keeper named Guido starts a fairy tale life by courting and marrying a lovely woman from a nearby city. Guido and his wife have a son and live happily together until the occupation of Italy by German forces. In an attempt to hold his family together and help his son survive the horrors of a Jewish Concentration Camp, Guido imagines that the Holocaust is a game and that the grand prize for winning is a tank.
---------------


1938-ban járunk, amikor a szeretetreméltó, álmodozó Guido - a növekvő rasszizmus és szűklátókörűség közepette - beleszeret visszafogott tanárnőjébe, Dorába. A csodaszép lány azonban egy helyi náci tiszt menyasszonya, Guidot pincérként látjuk viszont az eljegyzésen. Mindent elkövet, hogy a lányt bánatos jövőjétől eltérítse ... Meseszerű szerelmi történet kezdődik.

Öt év múlva Guido és Dora házasok és született egy fiuk, Giousé is. A politikai légkör egyre romlik, végül Guidot, aki félzsidó, táborba viszik családjával együtt. Az apa, hogy túlélhesse a borzalmakat, és hogy fiát minél jobban megkímélje, azt találja ki, hogy az egész, ami körülveszi őket tulajdonképpen egy nagy játék, amelyben a rabok a versenyzők és az őrök a játékvezetők. Benigni az önfeláldozás, a szeretet és a védelmezés filmjét készítette el. Komikusi képességei és chaplini stílusa igen élvezetessé teszik az alkotást, amely mindazonáltal megrázóan drámai módon mutatja be a fáradhatatlan emberi lélek küzdelmeit

2012. június 27., szerda

Cannonball Adderley - Ray Brown - Wes Montgomery - And The Poll Winners 1960



01 - The Chant
02 - Lolita
03 - Azule Serape
04 - Au Privave
05 - Yours Is My Heart Alone
06 - Never Will I Marry
07 - Au Privave [Alternate Take]
Notes

One of the great alto saxophonists, Cannonball Adderley had an exuberant and happy sound (as opposed to many of the more serious stylists of his generation) that communicated immediately to listeners. His intelligent presentation of his music (often explaining what he and his musicians were going to play) helped make him one of the most popular of all jazzmen.

Adderley already had an established career as a high school band director in Florida when, during a 1955 visit to New York, he was persuaded to sit in with Oscar Pettiford's group at the Cafe Bohemia. His playing created such a sensation that he was soon signed to Savoy and persuaded to play jazz full-time in New York. With his younger brother, cornetist Nat, Cannonball formed a quintet that struggled until its breakup in 1957. Adderley then joined Miles Davis, forming part of his super sextet with John Coltrane and participating on such classic recordings as Milestones and Kind of Blue. Adderley's second attempt to form a quintet with his brother was much more successful for, in 1959, with pianist Bobby Timmons, he had a hit recording of "This Here." From then on, Cannonball always was able to work steadily with his band.

During its Riverside years (1959-1963), the Adderley Quintet primarily played soulful renditions of hard bop and Cannonball really excelled in the straight-ahead settings. During 1962-1963, Yusef Lateef made the group a sextet and pianist Joe Zawinul was an important new member. The collapse of Riverside resulted in Adderley signing with Capitol and his recordings became gradually more commercial. Charles Lloyd was in Lateef's place for a year (with less success) and then with his departure the group went back to being a quintet. Zawinul's 1966 composition "Mercy, Mercy, Mercy" was a huge hit for the group, Adderley started doubling on soprano, and the quintet's later recordings emphasized long melody statements, funky rhythms, and electronics. However, during his last year, Cannonball Adderley was revisiting the past a bit and on Phenix he recorded new versions of many of his earlier numbers. But before he could evolve his music any further, Cannonball Adderley died suddenly from a stroke.

2012. június 26., kedd

Louie Bellson 1975 - Explosion

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1 The Intimacy of the Blues
2 Quiet Riots
3 Carnaby Street
4 Beyond Category
5 Chameleon
6 Open Your Window
7 Movin' On
8 Groove Blues
9 La Banda Grande

LOUIE BELLSON
Louie Bellson Explosion
1975


Louie Bellson - Cymbals, Drums, Leader
Blue Mitchell - Trumpet
Snooky Young - Trumpet
Bobby Shew - Trumpet
Dick Mitchell - Trumpet
Dick Cooper - Trumpet
Cat Anderson - Trumpet
Nick Dimaio - Trombone
Gilbert Falco - Trombone
Ernie Tack - Trombone
Mayo Tiana - Trombone
Don Menza - Saxophone, Sax (Tenor), Reeds (Multiple)
Pete Christlieb - Saxophone, Reeds (Multiple)
Dick Spencer - Saxophone, Reeds (Multiple)
Larry Covelli - Saxophone, Reeds (Multiple)
Bill Byrne - Saxophone, Reeds (Multiple)
Nat Pierce - Piano, Keyboards
Ross Tompkins - Piano, Keyboards
John Williams - Bass
Mitch Holder- Guitar
Paulo Magalhaes - Percussion
Dave Levine - Percussion

Louie Bellson 1979 - Dynamite!

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1 Sambandrea Swing
2 Deliverence
3 Concord Blues for Blue
4 Cinderella's Waltz
5 Where Did You Go?
6 Explosion

Personel:

Jack Arnold Percussion, Vibraphone
Louie Bellson Drums
Matt Catingub Clarinet, Flute, Arranger, Composer, Sax (Alto)
John Chiodini Guitar
Frank Collett Piano
Nick Dimaio Trombone
Gordon Goodwin Sax (Tenor)
Nelson Hatt Trumpet, Flugelhorn
Dana Hughes Trombone
Walt Johnson Trumpet, Flugelhorn
Alan Kaplan Trombone
Ron King Trumpet, Flugelhorn
Andrew MacKintosh Sax (Baritone)
Don Menza Composer, Sax (Tenor)
Bob Payne Trombone
Bobby Shew Trumpet, Flugelhorn
Dick Spencer Clarinet, Flute, Piccolo, Saxophone
John Thomas Trumpet, Flugelhorn
John B. Williams Jr. Bass, Bass (Electric)


LOUIE BELLSON
Dynamite!
1979


Recordings by Louie Bellson's various big bands tend to be a slight disappointment, full of fire and explosive moments but sometimes lacking in subtlety and surprises. This effort finds the classic drummer at the head of a 14-horn, 19-piece orchestra that is certainly full of power. Bellson, his tenor star Don Menza and altoist Matt Catingub wrote all of the six songs, and among the key soloists are Menza, Catingub, trumpeter Bobby Shew, altoist Dick Spencer and guitarist John Chiodini (featured on "Where Did You Go"). Nothing all that unusual occurs (although Don Menza's Sambandrea Swing" is exciting), but modern big-band fans will enjoy the effort.

Oscar Peterson - Clark Terry LP 1964 Digital transfer, noise cleaning and mixed, at Audio Design Studio Home Sound Recording Studio 2012..

Download_data


01    02    03    04    05

Seite 1

01 - Brotherhood Of Man
Komposition: F. Loesser
02 - Jim
Komposition: N. Shawn/C. Petrilio/E. Ross
03 - Blues For Smedley
Komposition: O. Peterson
04 - Roundalay
Komposition: O. Peterson
05 - Mumbies
Komposition: C. Terry

Seite 2

06 - Mack The Knife
Komposition: K. Weili
07 - They Didn’t Believe Me
Komposition: J. Kern/H. Reynoids
08 - Squeaky’s Blues
Komposition: O. Peterson
09 - I Want A Littie Giri
Komposition: M. Mencher/B. Mali
10 - Incoherent Blues
Komposition: C. Terry

Clark Terry (tp, flh)
Oscar Peterson (p)
Ray Brown (b)
Ed Thigpen (d)
rec. August 1964; New York
Übernahme Von Phonogram Hamburg

Top of the Pops LP 1973 / Digital transfer, restored and noise cleaning, at Audio Design Studio made 2012.

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SIDE 1

1. CUM ON FEEL THE NQIZE
2. GET DOWN
3. TIE A YELLOW RIBBON
4. LOVE TRAIN
5. TWEEDLE DEE
6. HELLO! HELLO! I’M BACK AGAIN

SIDE 2

1. 2Oth CENTURY BOY
2. I’M A CLOWN
3. GOOD GRIEF CHRISTINA
4. THE TWELFTH OF NEVER
5. POWER TO ALL OUR FRIENDS
6. DUELLING BANJOS

Top of the Pops LP 1970 / Digital transfer, restored and noise cleaning, at Audio Design Studio made 2012.

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SIDE 1

1. JULIE DO YA LOVE ME
2. I’VE LOSTYOU
3. YOU’VE GOT ME DANGLING ON A STRING
4. RIDE A WHITE SWAN
5. HEAVEN HELP US ÁLL
6. WOODSTOCK

SIDE 2

1. CRACKLIN’ ROSIE
2. HOME LOVIN' MAN
3. IT’S WONDERFUL (TO BE LOVED BY YOU)
4. IN MY CHAIR
5. VOODOO CHILE
6. I HEAR YOU KNOCKING

Top of the Pops LP 1972 / Digital transfer, restored and noise cleaning, at Audio Design Studio made 2012.

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SIDE 1

1. CHILDREN OF THE REVOLUTION
2. SUGARME
3. STANDING IN THE ROAD
4. LIVING IN HARMONY
5. YOU WEAR IT WELL
6. MAI’M WEER ÁLL CRAZEE NOW

SIDE 2

1. ÁLL THE YOUNG DUDES
2. SUZANNE BEWÁRE OF THE DEVIL
3. WALK IN THE NIGHT
4. VIRGINPLAIN
5. HONKYCAT
6. WIG-WAM BAM

Top of the Pops LP 1973 / Digital transfer, restored and noise cleaning, at Audio Design Studio made 2012.


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SIDE 1

1. ANGEL FINGERS
2. SKYWRITER
3. ROCK ON
4. YOUNG LOVE
5. OH NO! NOT MY BABY
6. DANCING ON A SATURDAY NIGHT


SIDE 2

1. OOHBABY
2. EVERYTH ING WILL TURN OUT FINE
3. ANGIE
4. PICK UP THE PIECES
5. MONSTER MASH
6. THEDEANANDI

Top of the Pops LP 1972 / Digital transfer, restored and noise cleaning, at Audio Design Studio made 2012.

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SIDE 1

1. TELEGRAMSAM
2. HORSE WITH NO NAME
3. WHERE DID OUR LOVE GO
4. STAY WIT1-l ME
5. l’D LIKE TO TEACH THE WORLD TO SING
6. LET’S STAY TOGETHER

SIDE 2

1. POPPAJOE
2. BABY l’M A-WANT YOU
3. AMERICAN PIE
4. HAVE YOU SEEN HER
5. ÁLL I EVER NEED IS YOU
6. SON OF MY FATHER

2012. június 22., péntek

Top of the Pops LP 1971 / Digital transfer, restored and noise cleaning, at Audio Design Studio made 2012.


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01     02


SIDE 1

1. WHAT ARE YOU DOING SUNDAY
2. BANGLADESH
3. IT’S TOO LATE
4. LET YOUR YEAH BE YEAH
5. YOU’VE GOT A FRIEND
6. NATHAN JONES

SIDE 2

1. I BELIEVE (IN LOVE)
2. I’M STILL WAITING
3. MOVEONUP
4. BACK SEAT OF MY CÁR
5. HEY GIRL DONT BOTHER ME
6. BÁCK STREET LUV

Top of the Pops LP 1971 / Digital transfer, restored and noise cleaning, at Audio Design Studio made 2012.


SIDE 1

1. MY SWEET LORD
2. THE PUSHBIKE SONG
3. SUNNY HONEY GIRL
4. NO MATTER WHAT
5. GRANDAD
6. CANDIDA

SIDE 2

1. BABYJUMP
2. SHE’S A LADY
3. STONED LOVE
4. YOUR SONG
5. YOU DON’T HAVE TO SAY YOU LOVE ME
6. BLÁCK SKIN BLUE EYED BOYS

2012. június 21., csütörtök

Earl Hines - 'The new Earl Hines Trio - by Columbia JCS LP Digital Restored, noise cleaning and mixed, at Audio Design Studio 2012






Earl Hines - 'The new Earl Hines Trio -  by Columbia JCS 9120Earl Hines - 'The new Earl Hines Trio -  by Columbia JCS 9120

01    02    03                                                            
Side A 1 Frankie and Johnnie          
Side A 2 The girl from Ipanema        
Side A 3 Believe it beloved           
Side A 4 Louise                       
Side A 5 St. James Infirmary blues    
Side A 6 Avalon                       
Side B 1 Breezin' along with the breeze
Side B 2 Frenesi                      
Side B 3 Broadway                     
Side B 4 Trav'lin all alone           
Side B 5 At sundown                   
Side B 6 Runnin' wild                 

Digital Restored, noise cleaning and mixed, at Audio Design Studio 2012

Zoe Tiganouria - Tanguera

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01 - Lagrimas Negras                                    
02 - Trito stefani                                      
03 - Tanguera                                           
04 - Libertango                                         
05 - Corsica                                            
06 - Serach                                             
07 - Por Una Cabeza                                     
08 - Sur Los Suenos                                     
09 - La Valse A Margayx                                 
10 - Verano Porteno                                     
11 - Tango Pour Claude                                  
12 - Christopher's Bossa                                
13 - And I Iove Her                                     
14 - Poimeniko                                          
15 - Kaigomai kai sigoliono                             
16 - Geciyor Bizden De                                  
17 - Dialogos                                           
18 - Oblivion                      

Ritmos Latinos

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01.(Were Gonna) Rock Around The Clock - See You Later Alligator - Hound Dog
02.Cha Cha Mamma Brown
03.Brazil                                     
04.El Pico                                    
05.Once In a While                            
06.Chicago                                    
07.The Continental                            
08.Meditation - Little Boat - One Note Samba  
09.Viva Espana - Una Paloma Blanca - Hasta La Vista       
10.Miami Beach Rumba                          
11.Little Brown Jug                           
12.Weels - In A Little Spanish Town - Never On Sunday
13.Tequilla                                   
14.Brizas Andaluzas                      

Lisa Ono - Romance Latino Selection

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01 Cachito (Oscar Version)              
02 Vereda Tropical                      
03 Volver a Empezar _ Begin the Begu    
04 Ceu Cor de Rosa _ Indian Summer      
05 Capullito de Aleli (Oscar Version    
06 Solamente una Vez                    
07 Quien Sera                           
08 Ay Cosita Linda                      
09 Los Marcianos (Unreleased)           
10 Aquellos Ojos Verdes _ Green Eyes    
11 Besame Mucho                         
12 Historia de un Amor   

Jazz Lounge Vol. 5. - In A Brazilian Mood

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Jazz Lounge Vol. 5. - In A Brazilian Mood

01. Joe Pass And Paulinho Da Costa - Corcovado
02. John Pisano - Captain Bacardi            
03. Bola Sete - Influencia do Jazz           
04. Charlie Byrd. - Wave                     
05. Joe Pass And Paulinho Da Costa - Voce (You)
06. Luiz Bonfa - Subtle Samba                
07. Charlie Byrd - Meditation (Meditacao)    
08. The Bola Sete Trio - Samba de Orfeu      
09. Vince Guaraldi and Bona Sete - The Girl from Ipanema  
10. Luiz Bonfa - Sofisticada                 
11. Jim Hall - Simple Samba                  
12. Joe Pass And Paulinho Da Costa - The Gentle Rain  
13. Bobby Timmons Trio - Samba Tristesse     
14. Charlie Byrd - The Duck (O Pato)         

Cesaria Evora - Cabo Verde

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01    02

01-Tchintchirote                                   
02-Sabine Larga'm                                  
03-Partida                                         
04-Sangue de Beirona                               
05-Apocalipse                                      
06-Mar e Morada De Sodade                          
07-Bo e di meu Cretcheu                            
08-Coragem irmon                                   
09-Quem bĂ´ ĂŞ                                     
10-Regresso                                        
11-Zebra                                           
12-Mae Velha                                       
13-Pe di boi                                       
14-Ess pais                                 

Brazilian Tropical Orchestra - Beatles In Bossa Nova






01  Something
02  Here there and everywhere
03  Yesterday
04  The fool and the hill
05  For no one
06  I should have know better
07  Till there was you
08  Eleanor Rigby
09  Dont let me down
10  And I love her
11  With a little help from my friend
12  Hey Jude
13  The long and winding Road
14  Shes leaving home
15  A day in the life
16  Ticket to ride
17  While my guitar gently weeps
18  Let it be
19  He comes the sun

2012. június 20., szerda

Hawaiian Beach Boys - Bali Hai LP Digital restored, noise cleaning and mixed, at Audio Design Studio made 2012.

Hawaiian Beach Boys - Bali Hai DATA

01   02   03

Hawaiian Beach Boys - Bali Hai

01 - Hawaii Sang Me To Sleep
02 - Flower Lei            
03 - Song Of Old Hawaii    
04 - Bali Haii             
05 - Moana Chimes          
06 - Pretty Red Hibiscus   
07 - Sweet Gardenia Lei    
08 - It Happened In Koloha 
09 - King Kamehameha       
10 - Pidgin English Hula   
11 - Lovely Hula Hands     
12 - Aloha Beloved         

Benny Goodman 'The Famous Carnegie Hall Concert 1938' Vol. 3 - by Columbia CL816 Digital restored, noise cleaning and mixed. at Audio Design Studio 2012.



Benny Goodman 'The Famous Carnegie Hall Concert 1938' Vol. 3    DATA

Atention !!!

The disc is made ​​of continuous recording!



Side A 01 Bei mir bist du schoen
Side A 02 China boy            
Side A 03 Stompin' at the Savoy
Side A 04 Dizzy spells         
Side B 01 Sing, sing, sing     
Side B 02 Big John's special

Personnel

The Benny Goodman Orchestra

    Benny Goodman, clarinet, vocal, and leader
    Chris Griffin, Ziggy Elman, Harry James, trumpets
    Red Ballard, Vernon Brown, trombones
    George Koenig, Art Rollini, Babe Russin,
    Hymie Schertzer, reed instruments
    Jess Stacy, piano
    Teddy Wilson, piano (BG trio and quartet only)
    Lionel Hampton, vibraphone (BG quartet only)
    Allan Reuss, guitar
    Harry Goodman, bass
    Gene Krupa, drums
    Martha Tilton, vocal

Additional Personnel

    Count Basie, piano
    Harry Carney, baritone saxophone
    Buck Clayton, trumpet
    Freddie Green, guitar
    Bobby Hackett, cornet
    Johnny Hodges, soprano[4] and alto saxophones
    Walter Page, bass
    Lester Young, tenor saxophone
    Cootie Williams, trumpet

Digital restored, noise cleaning and mixed. at Audio Design Studio 2012


http://audiodesignstudio.freewb.hu/

2012. június 19., kedd

Benny Goodman 'The Famous Carnegie Hall Concert 1938' Vol. 2 - by Columbia CL815 Digital restored, noise cleaning and mixed. at Audio Design Studio 2012.

Benny Goodman 'The Famous Carnegie Hall Concert 1938' Vol. 2 DATA

Atention !!!

The disc is made ​​of continuous recording!


01    02    03

Benny Goodman 'The Famous Carnegie Hall Concert 1938' Vol. 2 - by Columbia CL815      

                                                          
Side A 01 Blue reveire
Side A 02 The man i love
Side A 03 Avalon
Side A 04 Body and soul
Side A 05 Life goes a party
Side B 01 I got rhythm
Side B 02 Blue skies.
Side B 03 Loch Lomond
Side B 04 Blue room
Side B 05 Swingtime in the rockies

Personnel

The Benny Goodman Orchestra

    Benny Goodman, clarinet, vocal, and leader
    Chris Griffin, Ziggy Elman, Harry James, trumpets
    Red Ballard, Vernon Brown, trombones
    George Koenig, Art Rollini, Babe Russin,
    Hymie Schertzer, reed instruments
    Jess Stacy, piano
    Teddy Wilson, piano (BG trio and quartet only)
    Lionel Hampton, vibraphone (BG quartet only)
    Allan Reuss, guitar
    Harry Goodman, bass
    Gene Krupa, drums
    Martha Tilton, vocal

Additional Personnel

    Count Basie, piano
    Harry Carney, baritone saxophone
    Buck Clayton, trumpet
    Freddie Green, guitar
    Bobby Hackett, cornet
    Johnny Hodges, soprano[4] and alto saxophones
    Walter Page, bass
    Lester Young, tenor saxophone
    Cootie Williams, trumpet

Digital restored, noise cleaning and mixed. at Audio Design Studio 2012


http://audiodesignstudio.freewb.hu/

Benny Goodman 'The Famous Carnegie Hall Concert 1938' Vol. 1 - by Columbia CL814 Digital restored, noise cleaning and mixed. at Audio Design Studio 2012.


Benny Goodman 'The Famous Carnegie Hall Concert 1938' Vol. 1 DATA

Atention !!!

The disc is made ​​of continuous recording!

 

01   02

                                                                   
Side A 01. Don't be that way
Side A 02. One o'clok jump
Side A 03. Sensation rag
Side A 04. I'm coming Virginia
Side A 05. When my baby smiles at me
Side A 06. Shine
Side B 01. Honeysukle rose

Personnel

The Benny Goodman Orchestra

    Benny Goodman, clarinet, vocal, and leader
    Chris Griffin, Ziggy Elman, Harry James, trumpets
    Red Ballard, Vernon Brown, trombones
    George Koenig, Art Rollini, Babe Russin,
    Hymie Schertzer, reed instruments
    Jess Stacy, piano
    Teddy Wilson, piano (BG trio and quartet only)
    Lionel Hampton, vibraphone (BG quartet only)
    Allan Reuss, guitar
    Harry Goodman, bass
    Gene Krupa, drums
    Martha Tilton, vocal

Additional Personnel

    Count Basie, piano
    Harry Carney, baritone saxophone
    Buck Clayton, trumpet
    Freddie Green, guitar
    Bobby Hackett, cornet
    Johnny Hodges, soprano[4] and alto saxophones
    Walter Page, bass
    Lester Young, tenor saxophone
    Cootie Williams, trumpet

Digital restored, noise cleaning and mixed. at Audio Design Studio 2012


http://audiodesignstudio.freewb.hu/

2012. június 16., szombat

Cal Tjader - Latin Concert LP Digital transfer and restored, noise cleaning, mixed, at Audio Design Studio 2012.


Atention !!!

The disc is made ​​of continuous recording!

Writing to a CD Recording

1 - Open a CD burning software ( Nero Burning Rom )
2 - The downloaded data to load into the program.
3 - In a break between takes 0 seconds to be written.
4 - Then write down the tracks on the CD.
5 - The recordings will not have acne, and the disk in one continuous audio will play.
6 - The recordings, of course, will be seen as separate units on disk.
------------------------------------------------------------------



A felvételek felírása cd lemezre

A lemez anyaga folyamatos felvétel!

1 - Megnyitni egy cd iró programot ( Nero Burning Rom )
2 - A letöltött adatokat töltsd be a programba.
3 - A felvételek közötti írás szünetet, 0 másodpercre állítani.
4 - Ezek után a sávokat felírni a cd lemezre.
5 - A felvételek között nem lesznek pattanások, és a lemez folyamatos egyben levő hanganyagot fog lejátszani.
6 - A felvételek természetesen külön egységekként lesznek láthatóak a lemezen.



Cal Tjader - Latin Concert LP DATA

01    02    03

A1 - Viva Cepeda
       Written-By – Tjader
       3:40    
A2 - Mood For Milt
       Written-By – Tjader
       3:10    
A3 - The Continental
       Written-By – Porter
       3:50    
A4 - Lucero
       Written-By – Tjader
       4:26    
A5 - ?Tu Crees Que?
       Written-By – Santamaria
       4:45    
B1 - Mi Guaguanco
       Written-By – Santamaria
       4:45    
B2 - Cubano Chant
        Written-By – Bryant
       4:04    
B3 - A Young Love Theme
       Written-By – Tjader
       9:30    
B4 - Theme
       0:55    




Cal Tjader's Latin Concert
Original Jazz Classics – OJC-643, Fantasy – F-8014

2012. június 15., péntek

Kai Warner & His Orchestra - Go in vol 2 LP (p) 1969 Digital Restored, noise cleaning and mixed, at Audio Design Studio made 2012.



Kai Warner & His Orchestra   DATA

Kai Warner -  Go In vol.2
Polydor Germany (1969) 




01    02    03




 01 Lady Carneval / Ein Student aus Uppsala / Mathilda
 02 Ich denk an dich / Mit verbundenen Augen / Sometimes
 03 Lass doch den Sonnenschein / Du musst mit den Wimpern klimpern /
 Du hast keinen Grund zum weinen
 04 First Of May / Love Is Love / Dondolo
 05 Morgens um sieben / Weisst Du wohin (J. Last)
 06 Es wird Nacht, Senorita / Zigeunerhochzeit / Karussell d'amour
 07 I've Got My Eyes On You / La Bambola / Es geht eine Träne auf Reisen
 08 Heidschi Bumbeidschi / Sweet Souvenirs Of Stefan / Alle Abenteuer dieser Erde
 09 Wähle 3 3 3 / Dornröschen / Up To The Moon
 10 Here Comes The Rain / Liebesleid

2012. június 11., hétfő

Cal Tjader - Good Vibes 1984 Digital noise cleaning and mixed, at Audio Design Studio made 2012.


Cal Tjader - Good Vibes 1984

01    02    03    04

01 - Soul Sauce (Guachi Guaro)
Dizzy Gillespie / Chano Pozo
6:07
   
02    
Doxy
Sonny Rollins
7:05
    
03    
Shoshana
Mark Levine
7:07
    
04    
Speak Low
Ogden Nash / Kurt Weill
7:16
    
05    
Broadway
Billy Bird / Teddy McRae / Henri Woode
6:06
    
06    
Cuban Fantasy
Ray Bryant
5:20
    
07    
Good Vibes

 ----------------------------------------------------
Atention !!!

The disc is made ​​of continuous recording!

Writing to a CD Recording

1 - Open a CD burning software ( Nero Burning Rom )
2 - The downloaded data to load into the program.
3 - In a break between takes 0 seconds to be written.
4 - Then write down the tracks on the CD.
5 - The recordings will not have acne, and the disk in one continuous audio will play.
6 - The recordings, of course, will be seen as separate units on disk.
------------------------------------------------------------------



A felvételek felírása cd lemezre

A lemez anyaga folyamatos felvétel!

1 - Megnyitni egy cd iró programot ( Nero Burning Rom )
2 - A letöltött adatokat töltsd be a programba.
3 - A felvételek közötti írás szünetet, 0 másodpercre állítani.
4 - Ezek után a sávokat felírni a cd lemezre.
5 - A felvételek között nem lesznek pattanások, és a lemez folyamatos egyben levő hanganyagot fog lejátszani.
6 - A felvételek természetesen külön egységekként lesznek láthatóak a lemezen.

Product Description

This CD reissue brings back one of vibraphonist Cal Tjader's final recordings. The Latin jazz pacesetter is in typically fine form, alternating rhythmic pieces with some standards and taking "Doxy" in straightforward fashion without the percussionists. Tjader's final regular group featured pianist Mark Levine, bassist Rob Fisher, Vince Lateano on drums and timbales, future bandleader Poncho Sanchez on congas and either flutist Roger Glenn or Gary Foster (on flute, soprano and alto). Playing time is just 43 minutes (since this is a straight reissue of the original LP), but the quality is high, with the better tracks including "Guachi Guaro," "Speak Low," "Broadway" and "Doxy." ~ Scott Yanow

Recorded live at the Concord Jazz Festival, Concord Pavilion, Concord, California. Includes liner notes by Carl E. Jefferson.

Personnel:


Cal Tjader (vibraphone);
Gary Foster (soprano and amp; alto saxophones, flute);
Roger Glenn (flute, percussion);
Mark Levine (piano);
Rob Fisher (bass);
Vince Lateano (drums, timbales);
Poncho Sanchez (congas).

Duke Ellington meets Coleman Hawkins LP 1962.







01. Limbo Jazz (5:13)
02. Mood Indigo (5:56)
03. Ray Charles' Place (4:06)
04. Wanderlust (4:59)
05. You Dirty Dog (4:19)
06. Self Portrait (Of The Bean) (3:51)
07. The Jeep Is Jumpin' (4:49)
08. The Ricitic (5:55)

Dave Brubeck Trio & jerry Mulligan - Compadres, live in Mexico 1968 LP Digital restored, noise cleaning and mixed, at Audio Design Studio made 2012.



Dave Brubeck Trio & jerry Mulligan - Compadres, live in Mexico 1968

Atention !!!

The disc is made ​​of continuous recording!


Writing to a CD Recording

1 - Open a CD burning software ( Nero Burning Rom )
2 - The downloaded data to load into the program.
3 - In a break between takes 0 seconds to be written.
4 - Then write down the tracks on the CD.
5 - The recordings will not have acne, and the disk in one continuous audio will play.
6 - The recordings, of course, will be seen as separate units on disk.
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A felvételek felírása cd lemezre


A lemez anyaga folyamatos felvétel!


1 - Megnyitni egy cd iró programot ( Nero Burning Rom )
2 - A letöltött adatokat töltsd be a programba.
3 - A felvételek közötti írás szünetet, 0 másodpercre állítani.
4 - Ezek után a sávokat felírni a cd lemezre.
5 - A felvételek között nem lesznek pattanások, és a lemez folyamatos egyben levő hanganyagot fog lejátszani.
6 - A felvételek természetesen külön egységekként lesznek láthatóak a lemezen.


01    02    03    04

Side One:

1 jumping bean
2 adios, mariquita linda
3 indian song
4 tender woman

Side Two:

1 amapola
2 lullabye de Mexico (lullabye of Mexico)
3 sapito
4 recuerdo (remembrance)

Personnel:

Dave Brubeck - piano
Gerry Mulligan - bariton sax
Alan Dawson - drums
Jack Six - bass

Album: Brubeck Compadres Mulligan (Live in Mexico)
Year Of Release: 1968
Label: CBS

2012. június 10., vasárnap

Coleman Hawkins & Earl Hines Trio - Rifftide (p) 1978 - Rec 1965 / Digital restored, noise cleaning and mixed, at Audio Design Studio made 2012



Coleman Hawkins & Earl Hines Trio - Rifftide(p) 1978 - Rec1965   DATA

More Info and albums:   Label - Coleman Havkins

Each 9 album is available
Mind a 9 album letölthető 

01     02     03

01 - Crazy rhythm
02 - Rosetta
03 - Just one more change
04 - Rifftide
05 - Indian Summer

 Personel

Coleman Hawkins:  Tenos sax
Earl Hines:  Piano
George Tucker:  Bass
Oliver Jackson:  Drums

Recorded Nev York City march. 1965.
( c ) ( p ) Pumpkin Productions Inc. 1978.

Biography

Coleman Hawkins was the first important tenor saxophonist and he remains one of the greatest of all time. A consistently modern improviser whose knowledge of chords and harmonies was encyclopedic, Hawkins had a 40-year prime (1925-1965) during which he could hold his own with any competitor.
Coleman Hawkins started piano lessons when he was five, switched to cello at age seven, and two years later began on tenor. At a time when the saxophone was considered a novelty instrument, used in vaudeville and as a poor substitute for the trombone in marching bands, Hawkins sought to develop his own sound. A professional when he was 12, Hawkins was playing in a Kansas City theater pit band in 1921, when Mamie Smith hired him to play with her Jazz Hounds. Hawkins was with the blues singer until June 1923, making many records in a background role and he was occasionally heard on instrumentals. After leaving Smith, he freelanced around New York, played briefly with Wilbur Sweatman, and in August 1923 made his first recordings with Fletcher Henderson. When Henderson formed a permanent orchestra in January 1924, Hawkins was his star tenor.
Although (due largely to lack of competition) Coleman Hawkins was the top tenor in jazz in 1924, his staccato runs and use of slap-tonguing sound quite dated today. However, after Louis Armstrong joined Henderson later in the year, Hawkins learned from the cornetist's relaxed legato style and advanced quickly. By 1925, Hawkins was truly a major soloist, and the following year his solo on "Stampede" became influential. Hawk (who doubled in early years on clarinet and bass sax) would be with Fletcher Henderson's Orchestra up to 1934, and during this time he was the obvious pacesetter among tenors; Bud Freeman was about the only tenor who did not sound like a close relative of the hard-toned Hawkins. In addition to his solos with Henderson, Hawkins backed some blues singers, recorded with McKinney's Cotton Pickers, and, with Red McKenzie in 1929, he cut his first classic ballad statement on "One Hour."
By 1934, Coleman Hawkins had tired of the struggling Fletcher Henderson Orchestra and he moved to Europe, spending five years (1934-1939) overseas. He played at first with Jack Hylton's Orchestra in England, and then freelanced throughout the continent. His most famous recording from this period was a 1937 date with Benny Carter, Alix Combille, Andre Ekyan, Django Reinhardt, and Stephane Grappelli that resulted in classic renditions of "Crazy Rhythm" and "Honeysuckle Rose." With World War II coming close, Hawkins returned to the U.S. in 1939. Although Lester Young had emerged with a totally new style on tenor, Hawkins showed that he was still a dominant force by winning a few heated jam sessions. His recording of "Body and Soul" that year became his most famous record. In 1940, he led a big band that failed to catch on, so Hawkins broke it up and became a fixture on 52nd Street. Some of his finest recordings were cut during the first half of the 1940s, including a stunning quartet version of "The Man I Love." Although he was already a 20-year veteran, Hawkins encouraged the younger bop-oriented musicians and did not need to adjust his harmonically advanced style in order to play with them. He used Thelonious Monk in his 1944 quartet; led the first official bop record session (which included Dizzy Gillespie and Don Byas); had Oscar Pettiford, Miles Davis, and Max Roach as sidemen early in their careers; toured in California with a sextet featuring Howard McGhee; and in 1946, utilized J.J. Johnson and Fats Navarro on record dates. Hawkins toured with Jazz at the Philharmonic several times during 1946-1950, visited Europe on a few occasions, and in 1948 recorded the first unaccompanied saxophone solo, "Picasso."
By the early '50s, the Lester Young-influenced Four Brothers sound had become a much greater influence on young tenors than Hawkins' style, and he was considered by some to be out of fashion. However, Hawkins kept on working and occasionally recording, and by the mid-'50s was experiencing a renaissance. The up-and-coming Sonny Rollins considered Hawkins his main influence, Hawk started teaming up regularly with Roy Eldridge in an exciting quintet (their appearance at the 1957 Newport Jazz Festival was notable), and he proved to still be in his prime. Coleman Hawkins appeared in a wide variety of settings, from Red Allen's heated Dixieland band at the Metropole and leading a bop date featuring Idrees Sulieman and J.J. Johnson, to guest appearances on records that included Thelonious Monk, John Coltrane, and (in the early '60s) Max Roach and Eric Dolphy. During the first half of the 1960s, Coleman Hawkins had an opportunity to record with Duke Ellington, collaborated on one somewhat eccentric session with Sonny Rollins, and even did a bossa nova album. By 1965, Hawkins was even showing the influence of John Coltrane in his explorative flights and seemed ageless.
Unfortunately, 1965 was Coleman Hawkins' last good year. Whether it was senility or frustration, Hawkins began to lose interest in life. He practically quit eating, increased his drinking, and quickly wasted away. Other than a surprisingly effective appearance with Jazz at the Philharmonic in early 1969, very little of Hawkins' work during his final three and a half years (a period during which he largely stopped recording) is up to the level one would expect from the great master. However, there are dozens of superb Coleman Hawkins recordings currently available and, as Eddie Jefferson said in his vocalese version of "Body and Soul," "he was the king of the saxophone."