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Memories of Pannonia
A Path Trough Haze
Guitar Genius In Japan
Katz and Maus Filmmusik
Zoller Attila - Masahiko Sato - Duologue
Zoller Attila - When It's Time (1995)
Zoller Attila - ZO - KO - MA
Zoller Attila - ZO - KO - SO
Attila Zoller and Claus Doldinger Group - 01 - Comin Home Baby
Attila Zoller and Claus Doldinger Group - 02 - Route 66
Attila Zoller and Claus Doldinger Group - 03 - Cast Your FaleTo The Wind
Attila Zoller and Claus Doldinger Group - 04 - Yeh Yeh
Attila Zoller and Claus Doldinger Group - 05 - Careless Love Baby
Attila Zoller and Claus Doldinger Group - 06 - Twistin Sculplure
Attila Zoller and Claus Doldinger Group - 07 - Skinny Minny
Attila Zoller and Claus Doldinger Group - 08 - Little Honkey Tonk
Attila Zoller and Claus Doldinger Group - 09 - Irish Coffee
Attila Zoller and Claus Doldinger Group - 10 - No Reply
Attila Zoller and Claus Doldinger Group - 11 - Night Train
Attila Zoller and Claus Doldinger Group - 12 - Hi Life R and B
Zoller Attila - The Big Beat címú lemeze 1965-ben látott napvilágot a philips jóvoltából. A felvételeken Claus Doldinger Grouppjával együtt játszik 12 felvételen. Zoller életéről sokkal bővebben a Joka Jazz Kutatási Alapítvány oldalán olvashat bárki.
Zoller Attila számos lemeze került restaurálás alá 2002-óta. Csak néhány a felsorolásból.
A jövőben ha lesz rá érdeklődés akkor ezek az albumok is felkerülhetnek az oldalra, mivel ezek a lemezek kifejezetten a Klasszikus jazz műfajába sorolhatók.Zoller Attila számos lemeze került restaurálás alá 2002-óta. Csak néhány a felsorolásból.
Memories of Pannonia
A Path Trough Haze
Guitar Genius In Japan
Katz and Maus Filmmusik
Zoller Attila - Masahiko Sato - Duologue
Zoller Attila - When It's Time (1995)
Zoller Attila - ZO - KO - MA
Zoller Attila - ZO - KO - SO
Zoller Attiláról elmondható, hogy igen neves világhírű előadókkal játszott együtt, Amerikától Európn keresztül egészen Japánig. Simon Géza Gábor nemrélgiben egy könyvet is kiadott " Mindhalálig gitár " címmel. Ebben próbálva összefoglalni a zenei munkáit és életét.
The Hungarian-born Attila Zoller was never quite a household name, but jazz musicians in the know considered him one of the music's finest and most original guitarists. After initially achieving a reputation as an excellent bop-oriented player, Zoller developed an interest in free jazz, and in the '60s became one of the music's most accomplished practitioners.
As a child, Zoller was taught classical violin by his father, a professional violinist. In his teens, he switched to flügelhorn, then jazz bass, and finally guitar. Zoller quit school during the Russian occupation of Hungary following World War II and began playing professionally in Budapest jazz clubs. He escaped Hungary in 1948 just before the permanent Soviet blockade of the country, hiking across the mountains to Austria, carrying just his guitar and a few articles of clothing. Zoller became an Austrian citizen, settling in Vienna, where he formed a jazz group with the accordionist Vera Auer. Zoller moved to Germany in the '50s, where he played with pianist Jutta Hipp and saxophonist Hans Koller. Visiting American musicians (notably Oscar Pettiford and Lee Konitz) admired Zoller's work and urged him to move to the U.S., which he did in 1959 after winning a scholarship to the Lenox School of Jazz. There he studied with Jim Hall and roomed with Ornette Coleman, whose influence sparked Zoller's interest in free jazz. Zoller played in drummer Chico Hamilton's group in 1960 and with flutist Herbie Mann from 1962-1965. In 1965, Zoller began leading a free jazz-influenced group with the pianist Don Friedman, and in 1968 co-led a group with Konitz and trombonist Albert Mangelsdorff. Zoller never turned his back on more traditional forms of jazz, playing swing with vibist Red Norvo and clarinetist Benny Goodman, and bop with saxophonist Stan Getz, among many others. In 1974, Zoller founded the Attila Zoller Jazz Clinics in Vermont (Zoller incorporated in 1985 and the clinics became the Vermont Jazz Center). He remained active as a performer — in the U.S. and overseas — until the end of his life. During the '80s and '90s, he recorded several albums for the Enja label with such artists as vibist Wolfgang Lackerschmidt and guitarist Jimmy Raney, as well as longtime collaborators Konitz and Friedman.
The Hungarian-born Attila Zoller was never quite a household name, but jazz musicians in the know considered him one of the music's finest and most original guitarists. After initially achieving a reputation as an excellent bop-oriented player, Zoller developed an interest in free jazz, and in the '60s became one of the music's most accomplished practitioners.
As a child, Zoller was taught classical violin by his father, a professional violinist. In his teens, he switched to flügelhorn, then jazz bass, and finally guitar. Zoller quit school during the Russian occupation of Hungary following World War II and began playing professionally in Budapest jazz clubs. He escaped Hungary in 1948 just before the permanent Soviet blockade of the country, hiking across the mountains to Austria, carrying just his guitar and a few articles of clothing. Zoller became an Austrian citizen, settling in Vienna, where he formed a jazz group with the accordionist Vera Auer. Zoller moved to Germany in the '50s, where he played with pianist Jutta Hipp and saxophonist Hans Koller. Visiting American musicians (notably Oscar Pettiford and Lee Konitz) admired Zoller's work and urged him to move to the U.S., which he did in 1959 after winning a scholarship to the Lenox School of Jazz. There he studied with Jim Hall and roomed with Ornette Coleman, whose influence sparked Zoller's interest in free jazz. Zoller played in drummer Chico Hamilton's group in 1960 and with flutist Herbie Mann from 1962-1965. In 1965, Zoller began leading a free jazz-influenced group with the pianist Don Friedman, and in 1968 co-led a group with Konitz and trombonist Albert Mangelsdorff. Zoller never turned his back on more traditional forms of jazz, playing swing with vibist Red Norvo and clarinetist Benny Goodman, and bop with saxophonist Stan Getz, among many others. In 1974, Zoller founded the Attila Zoller Jazz Clinics in Vermont (Zoller incorporated in 1985 and the clinics became the Vermont Jazz Center). He remained active as a performer — in the U.S. and overseas — until the end of his life. During the '80s and '90s, he recorded several albums for the Enja label with such artists as vibist Wolfgang Lackerschmidt and guitarist Jimmy Raney, as well as longtime collaborators Konitz and Friedman.
1 megjegyzés:
Groovy! I especially like the Hammond B3.
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